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The international music festival Czech Touches of Music is among the seven greatest festivals of classical music in the Czech Republic. Its aim is to offer audiences valuable musical experiences while listening to top repertory compositions as well as interesting compositions that are not performed so frequently. The festival’s dramaturgy has a unique concept based primarily on classical music, namely orchestral, chamber and recital works, and ancient music. The popular series is represented by crossover concerts. The festival regularly introduces special programme projects – exclusive concerts as part of the cycles entitled Prague Castle Music, Gems of Russian Music, Music of the V4 Countries, Concert for Children and Parents, and multi-genre projects involving literature, film, the creative arts and architecture. It is the only Czech festival to have its own eponymous festival orchestra with the artistic leader, violinist Pavel Fischer. It is the festival’s long-term dramaturgical intention to look for interesting and infrequently performed music and also to present music by Czech composers of the latter half of the 20th century as well as contemporary composers, as a follow-up to the tradition of the founding personalities of modern Czech music – Leoš Janáček and Bohuslav Martinů. The festival regularly provides opportunities for younger generations of musical interpreters and for the introduction of compositions by composers under 35 years of age, along with already renowned artists and orchestras.

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Festival dedicated to music of Czech composer Bohuslav Martinů

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The main goal of the Dvořák Prague International Music Festival has been to promote the good name of Czech culture via the legacy of the works of Antonín Dvořák, his contemporaries, and his pupils. And because the sole measure of the festival's success is quality, only topflight soloists and conductors and the most internationally-acclaimed orchestras and chamber ensembles come together on the Dvořák Prague concert stages, presenting music by Dvořák and other composers of the world to an international audience.

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Horn Fest was created on the initiative of the Czech horn player Radek Baborák, who would like to take this step to contribute to the more than 300-year-old tradition of the Czech horn game. The unifying element of the whole festival is therefore the French horn. As part of the Horn Fest, listeners will be able to listen to the various positions of this instrument, support a diverse instrumental cast and genre, as well as a very varied program. They will be able to see for themselves that the French horn is not just an instrument of love, but mainly a melodic instrument with an infinite number of color scales, just a great understanding of both wind instruments and strings!

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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This festival, organized by the Prague Spring, is dedicated to the celebration of the piano and the figure of the greatest Czech pianist of the 20th century, Rudolf Firkušný, who was also very closely connected with the Prague Spring.

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The Early Music Summer Festival is the largest and longest-running early music festival in Prague. Since 2000, the festival has been the gateway through which top foreign performers flow to the Czech Republic, playing originals or copies of historical instruments while maintaining the highest demands for perfection of performance, which we are used to with modern instruments.
The thematically elaborated dramaturgy of individual years presents a number of compositions in modern premieres, not only in the Czech but also often in a global context. The festival is unique in its overlap with Baroque theater and dance. One of the advantages of the festival is the connection of beautiful architecture with music of appropriate styles.

Concerts and performances held regularly, for example, in the Břevnov Monastery, Troja Castle, Rudolfinum, the Lobkowicz Palace, in the interiors of lesser-known Prague churches and other Prague historical spaces.

The festival is a member of the European REMA network and is a proud holder of the prestigious EFFE Label 2017-2021 and the "exceptional festival" label.

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