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The International Music Festival Concentus Moraviae is a unique curatorial concept of program preparation. It is primarily focused on classical music with an overlap with other genres and with a strong accent on early music, to which is the biennial dedicated. Every year the organizers address a new dramaturge with a strong program vision, so the festival always focuses on a new topic and is highly appreciated for its contribution to the field. The theme of each year reflects important musical anniversaries as well as current music and social trends. Not only significant personalities of Czech musical life (Barbara Maria Willi, Jiří Beneš, Aleš Březina, Václav Luks, Zdeněk Cupák, etc.), but also foreign musicologists (Jelle Dierickx, Walter Labhart, Tully Potter, Andrea Marcon, Markku Luolajan-Mikkola, Pierre Pitzl, Carine Moretton, etc.).

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.

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The Janáček Brno festival ranks among the most important events in the European cultural calendar. It is devoted to the artistic legacy of one the greatest Czech composers, Leoš Janáček, and comprehensively presents his life’s work in an international context.

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The Kutná Hora International Music Festival is one of the most important chamber music festivals in the Czech Republic. The creator of the dramaturgy and the selection of artists is the artistic director - cellist Jiří Bárta.

Unfortunately, even this year 2021 is associated with covid uncertainty. Last year we managed to hold the festival, albeit on a shifted date, with drapes and all hygienic measures. We all hope and believe in the improvement of the situation, and that is why we are preparing another, already the 14th year of the Kutná Hora festival.

MFKH has become an inseparable part of cultural events in the city with high attendance from all over the Czech Republic and abroad. Since we could not invite foreign artists last year, we decided to move the performance of all of Beethoven's 32 piano sonatas in Konstantin Lifschitz's masterful interpretation to this year. This very significant work of art will be divided into 8 evenings. This increases the total number of chamber music concerts to 16 concerts. We believe that not only for Kutná Hora, this festival will be something truly exceptional this year. In addition to this important project, compositions of classical chamber literature by world-famous authors (Haydn, Mozart, Vivaldi, etc.) will be heard, as well as contemporary and rarely mentioned authors (Tartini, Barber, Kabeláč, Klusák, Górecki, etc.).

Jiří Bárta traditionally connects chamber music concerts and complements them with projects at the crossroads of genres. He included Bach's cantata Ich habe genug (I already have enough of everything) in the program of the 14th Kutná Hora festival for solo bass, oboe and strings connected with an epic poem by Arnošt Lustig performed by Vilma Cibulková, Jiří Lábus and Vilém Udatný entitled "Cantata - Dance of the Mad". The theme of the musical-lyrical band is death as liberation from a world permeated with misery and despair and is an indictment of the most horrific crime in human history.

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A traditional open-air music festival, which annually brings unforgettable musical evenings in the large castle courtyard to the inhabitants and visitors of Brno. In addition to large symphonic works, it also offers connections with other genres under the summer sky, and thus tries to make classical music accessible to those who might not otherwise get to it.

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The Moravian Autumn Festival is one of the most important cultural events in the Czech Republic. It was established as the Brno International Music Festival in 1966, when the activities of Brno's artistic institutions took on an international dimension again after years of rigid isolation, and the first year of the festival had a very positive response.
In 1987, a multi-day festival of contemporary music called Exposition of New Music was established under the auspices of the MHFB, and since 1995 it has been expanding with the Easter Festival of Sacred Music.
Moravian Autumn invites to Brno orchestras that have passed Europe so far, chamber ensembles belonging to the world's top, soloists decorating world stages. It is not only an interpretive festival that tries to bring the world's top to Brno and confront it with domestic first-class musicians, but also a program one; it's not just "about the stars" (and their competition at all), but also about the content.
We see the great contribution of the Moravian Autumn in the search for new and interesting dramaturgical lines, addressing living authors and the creation of new works. The festival also draws attention to young and talented performers, giving them the opportunity to excel. In 2015, Erkki-Sven Tüür, who, together with Arvo Pärt and Veljo Tormis, is one of the most important contemporary Estonian composers, was revived.
Moravian Autumn is a member of the Czech Association of Festivals (CAF) and is held once every two years (biennial).
The organizer is the Brno Philharmonic, a contributory organization of the statutory city of Brno.

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The festival dates back to 1992 and is the first festival of its kind in the Czech Republic. It responds to the constant interest of listeners in concerts of sacred music thematically connected with the liturgically significant period of Easter.
The Easter Festival of Sacred Music remains a unique international project on the Central European scale dedicated exclusively to sacred music with an emphasis on exploratory and interesting dramaturgy and excellent performances.
The key dramaturgical starting point is the very proximity of the most important Christian holidays. Among other things, the festival focuses on the line of discovering unjustly neglected works and actively acts as the initiator of new spiritual compositions.
The festival takes place every year in two weeks between Květná and Bílá Sunday and is situated in Brno's churches.
The Easter Festival of Sacred Music is a member of the Czech Association of Festivals (CAF).
Festival organizer:
Brno Philharmonic, p.o.

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