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A traditional open-air music festival, which annually brings unforgettable musical evenings in the large castle courtyard to the inhabitants and visitors of Brno. In addition to large symphonic works, it also offers connections with other genres under the summer sky, and thus tries to make classical music accessible to those who might not otherwise get to it.

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The Olomouc International Organ Festival was established in 1969 and takes place every year in September in the Church of St. Mořice.
The founder of the festival was prof. Antonín Schindler (1925 - 2010), who worked as an organist in the church of St. Mořice. Here he had at his disposal a unique instrument by Michael Engler from 1745, which was, however, considerably dilapidated. On the initiative of prof. Schindler's organ was generally repaired and expanded, and it was this reconstruction that prompted the establishment of an organ festival with an international level.
The Olomouc International Organ Festival has become a household name in the organ world, and its quality and level are evidenced by a number of the world's top organists who have performed at the festival. The festival is organized by the Moravian Philharmonic Olomouc.

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The civic association MLADÁ PRAHA - INTERNATIONAL MUSIC FESTIVAL has set itself the goal of helping promising young beginning artists in the field of classical music - instrumentalists, singers, chamber ensembles, conductors, but also composers. We want to facilitate the beginnings of their artistic career through concerts at the international level and enable the establishment of friendships with young musicians from all over the world.

Thus was born the idea of ​​founding an international music festival. The initiators, representatives of the International Music Society in Munich (IMGM - Internationale Musikgesellschaft München) decided in 1990 to locate it in Czechoslovakia and chose the name Mladá Praha. In 1992, at the turn of August and September, the first festival took place with the participation of artists of eight nationalities from Peru to Japan. During 1992, a Japanese committee of the Young Prague Festival was also established in Tokyo with the task of selecting the most interesting young musicians from Asia. Thanks to the constant support of Japanese companies permanently operating in the Czech Republic, the Ministry of Culture and several sponsors from the Czech Republic, whose support we greatly appreciate, it has been possible to hold twenty-five years of the festival. In total, over 900 young artists from most European countries, as well as from the USA, Canada, Peru, India, Mexico, China, Korea and Japan performed at more than 350 concerts. In addition to soloists, a number of orchestras and choirs performed here.

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The Moravian Autumn Festival is one of the most important cultural events in the Czech Republic. It was established as the Brno International Music Festival in 1966, when the activities of Brno's artistic institutions took on an international dimension again after years of rigid isolation, and the first year of the festival had a very positive response.
In 1987, a multi-day festival of contemporary music called Exposition of New Music was established under the auspices of the MHFB, and since 1995 it has been expanding with the Easter Festival of Sacred Music.
Moravian Autumn invites to Brno orchestras that have passed Europe so far, chamber ensembles belonging to the world's top, soloists decorating world stages. It is not only an interpretive festival that tries to bring the world's top to Brno and confront it with domestic first-class musicians, but also a program one; it's not just "about the stars" (and their competition at all), but also about the content.
We see the great contribution of the Moravian Autumn in the search for new and interesting dramaturgical lines, addressing living authors and the creation of new works. The festival also draws attention to young and talented performers, giving them the opportunity to excel. In 2015, Erkki-Sven Tüür, who, together with Arvo Pärt and Veljo Tormis, is one of the most important contemporary Estonian composers, was revived.
Moravian Autumn is a member of the Czech Association of Festivals (CAF) and is held once every two years (biennial).
The organizer is the Brno Philharmonic, a contributory organization of the statutory city of Brno.

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The Obscene Extreme festival, shortened as OEF, is an annual music festival in the Czech Republic, that focuses on extreme metal subgenres grindcore and death metal, as well as hardcore punk. It was found in 1999 as a birthday party by Miloslav "Čurby" Urbanec. It was described by Vice as "Europe's craziest grindcore party". It is noted by the Czech Radio for its "exceptionally tolerant and friendly atmosphere". The festival offers exclusively vegetarian and vegan food within its premises since its inception.
Several well-known metal bands have performed at OEF over the years, such as: Napalm Death, Possessed, Obituary, Sodom, Immolation, Grave, Suffocation, Vader, Incantation, Terrorizer, Exhumed, Asphyx, Morgoth, Brujeria, Sinister, Nuclear Assault, Hirax, Vital Remains, Eyehategod, Krisiun, and Municipal Waste to name a few.

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Festival of new and experimental music

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The Pardubice Music Spring International Festival has been an important cultural event in the East Bohemian region since 1978. Since 2013, the festival has been organized by Barocco semper giovane, o.p.s. The festival offers music of all stylistic periods, the genre is mainly focused on classical music. Approximately twenty concerts take place every year from the beginning of March to the middle of May in concert halls and monuments of the city of Pardubice and other cities in the region. The festival presents important domestic and foreign artists, chamber ensembles, symphony orchestras, opera and ballet ensembles.

Since 2013, they have performed at the Pardubice Music Spring, for example, the Prague Symphony Orchestra. Prague FOK, Czech Radio Symphony Orchestra, PKF - Prague Philharmonia, Pardubice Chamber Philharmonic, Collegium 1704, Ensemble Inégal and Barocco semper giovane with conductors Heiko Mathias Förster (Germany), Shalev Ad-El (Israel), Petr Altrichter, Václav Luks , Adam Viktora, Tomáš Brauner, Jan Kučera, Marko Ivanović, Marek Šedivý, opera ensemble of the FX Šalda Theater Liberec, ballet ensembles of the Slovak National Theater and Moravian Theater Olomouc, Wihan Quartet, Herold Quartet, GUITAR4MATION - Guitar Quartet (Austria), Five Star Clarinet Quartet, Ciganski diabli (Slovakia), Ondřej Havelka and his Melody Makers, Prague Cello Quartet, Guarneri trio, Smetana trio, violinists Giuliano Carmignola (Italy), Václav Hudeček, Josef Špaček, Jan Mráček, Jiří Vodička, Leoš Čepický and Pavel Šporcl , cellists Jiří Bárta and Tomáš Jamník, pianists Ivo Kahánek, Piers Lane (Great Britain), Igor Ardašev, Adam Skoumal, Jitka Čechová, Nozomi Nakagiri and Yuka Beppu (Japan) , harpsichordists and organists Stéphane Bécha (France), Shalev Ad-El (Israel), Jaroslav Tůma, Aleš Bárta, Pavel Svoboda, further eg flutist Yoshimi Oshima (Japan), clarinetist Ludmila Peterková, trumpeter Oliver Lakota (Germany), tenor Štefan Margita and Petr Nekoranec and many other artists.

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The Autumn Festival of Sacred Music was founded in 1994 and over the twenty-six years of its existence has become a major cultural event in Olomouc. Under the auspices of the archbishop of Olomouc and Moravian metropolitan Msgre Jan Graubner the Festival is organised by MUSICA VIVA in co-operation with the City of Olomouc, the Regional Authority of the Olomouc Region and the Czech Ministry of Culture. The prominent Czech conductor Stanislav Macura was the Festival’s co-founder and over a period of fifteen years served as its artistic director and conductor significantly influencing the Festival’s unique character. The dramaturgy draws upon the immensely rich heritage of brilliant composers of all nations without ignoring contemporary modern sacred music and observes ecumenical principles. The Festival has been recognised for the outstanding artistic quality of guest soloists and internationally renowned quality of vocal and instrumental ensembles. Radio recordings were made from the Festival concerts by Czech Radio, Radio Niederoesterreich (ORF), Slovak Radio and Polish Radio; concerts were broadcasted across Europe via international radio network of EBU. Twenty-five concerts were recorded and broadcasted in co-operation with Czech Television and TV Noe.

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