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The International Music Festival Dobršská Brána will again offer a refreshing insight into the world of contemporary music without dramaturgical compromises and a formal genre classification of performers. In their work they present, they freely switch between genres and combine elements of folk music with jazz and chamber music. This corresponds to the specific dramaturgy of the festival and its motto “The Gate to the World of Music”.

The festival continues and fits into the global trend of seraching for new connections between traditional, classical and contemporary music and thus creates a unique musical event that would hardly find a comparison on the Czech music scene. At the same time, the festival gives a new impulse for meeting of world musicians and the Czech audience on the spot for many visitors unusual, yet with a long musical tradition, outside the Czech metropolis. The success of the past year is supported by musical responses from the audience and critics’ reviews by proving that the focus of the festival has been a step in the right direction. During the two-day period, the second year presented performers from Norway, Sweden, the Netherlands, Japan, USA, Germany, Austria, Poland and the Czech Republic. So the event took place with a truly European overlap.

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Atmospheric folk death, black, black death, blackened pagan, black punk, dark, death, death doom, death thrash, doom, electronic industrial, thrash,... styles nicely alphabetized. The common denominator is extreme metal, which we will serve in these forms at ETEF 2020.
ETEF is a living community, no blind shots. We have almost zero record of changes in festival lineup. What you see on the poster is what you see and hear onstage in the summer. We don't hunt "extra-league" headliners. These belong to Brutals, Wackens and similar "Hellfests." However, an exciting lineup of bands that can perform qualitatively in even the toughest competition is already guaranteed…

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Festival for children and their parents

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Fluff Fest is a festival focused on punk music, taking place every July in Rokycany, small Czech town

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"Folk Holidays" Náměšť nad Oslavou is an extraordinary music Festival. These 8 days many visitors spend as their real music, art and dancing holidays, of which they can be either active or passive participants. They are surro unded by the charming environment of the Naměšť Renaissance chateau, chateau park, adjacent environs of the Oslava river in the town as well as outside the town.

Every evening music programme of the Festival has its theme, its set up, with no genre borders - world, ethnic and folklore music, jazz, rock, folk, classical music. For the coming musicians the Festival often is an inspiration for an untraditional special concert - it is not unusual that they stay for several days, even just as spectators in the audience or as workshop participants.

The Festival is not just the evening concerts at the chateau courtyard. During the Festival days a number of workshops take place - you can e.g. learn to play the basics of some interesting musical instrument, jam and talk with musicians, who the previous evening enthused the courtyard, create your own drawings, paintings, silkscreen printings, objects, write your own text and poetry. Several hours in the afternoon belong regularly to so-called "Open Scene", where interesting, less known, music groups perform on a small stage behind the Baroque Hospital in the town by the Oslava river. And at night not only does the Festival camp come alive with music, but also the chapel of the Baroque Hospital.

The Festival is also unusual thanks to the number of international guests. The Folk Holidays Festival is a festival of outstanding music as well as non-music experiences and inspirations.

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Traditional folklore festival

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In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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The Petr Dvorský Music Festival focuses mainly on the human voice. In many genres, from classics of all periods to pop, jazz and folklore, top Czech and foreign artists present themselves at it. In addition to its patron Petr Dvorský, the festival hosted, for example, Jelena Obrazcová, Kiri Te Kanawa, Montserrat Caballé, Karel Gott, Lucia Bílá, Mira Žbirka and Ewa Farná.

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The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.

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