Colours of Ostrava is an international, multi-genre music festival organised annually in Ostrava since 2002. In 2012, the festival was moved to the entrancing surroundings of Dolní Vítkovice – an area that used to belong to metallurgical works, mines and ironworks. We are a free and independent festival for free and independent artists and festivalgoers. We don’t subscribe to any genre and are only open to showcasing sensitive, dynamic as well as uplifting projects with a similar philosophy to our own.
The International Music Festival Concentus Moraviae is a unique curatorial concept of program preparation. It is primarily focused on classical music with an overlap with other genres and with a strong accent on early music, to which is the biennial dedicated. Every year the organizers address a new dramaturge with a strong program vision, so the festival always focuses on a new topic and is highly appreciated for its contribution to the field. The theme of each year reflects important musical anniversaries as well as current music and social trends. Not only significant personalities of Czech musical life (Barbara Maria Willi, Jiří Beneš, Aleš Březina, Václav Luks, Zdeněk Cupák, etc.), but also foreign musicologists (Jelle Dierickx, Walter Labhart, Tully Potter, Andrea Marcon, Markku Luolajan-Mikkola, Pierre Pitzl, Carine Moretton, etc.).
The Karel Ditters International Music Festival from Dittersdorf is a festival that has been held every year since 1993, mainly in the town of Javorník, partly in the town of Jeseník and its surroundings. During this time, it has become an integral part of the cultural autumn of the entire Jesenice region. It is also one of the most significant and significant projects implemented within the Olomouc Region, and its existence thus clearly proves that lively cultural activity does not escape even its northernmost region. Its annual implementation is provided by the Karel Ditters Association of Dittersdorf.
And so every autumn is traditionally carried in the spirit of Baroque sophistication, with which Karel Ditters is undoubtedly closely connected and whose work the entire festival is actually primarily dedicated to. The central idea of the whole festival is an effort to present classical music at the highest professional level to all residents of our border region, as well as to professional audiences. However, Ditters' name is not just a kind of "moral-musical regional authority" in the name of the festival, on the contrary, every year of the festival the compositions of this author appear in the repertoire of many musical ensembles, which is also one of the festival's conditions. Another is the effort to open the festival stage to young and beginning performers, often the winners of the Prague Spring or other competitions. Last but not least, it is also an effort to invite, as, after all, in the name of the festival, musicians from abroad, or at least musical ensembles with the representation of foreign performers, to the festival days.
The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.
The Janáček Brno festival ranks among the most important events in the European cultural calendar. It is devoted to the artistic legacy of one the greatest Czech composers, Leoš Janáček, and comprehensively presents his life’s work in an international context.
Angličtina
Festival Klášterní hudební slavnosti je mezinárodní hudební festival s tradicí, který svou vysokou dramaturgickou a uměleckou úrovní zaujímá místo jednoho z nejvýznamnějších a nejzajímavějších hudebních festivalů současnosti, na Moravě se již tímto superlativem může v daném období pochlubit beze zbytku. Jak již z názvu vyplývá, koncertuje festival především v sakrálních skladbách nebo v prostředí, která jsou s církevními institucemi historicky nějakým způsobem spojena (kostely, bývalý nebo i současný majetek církví apod.), ale nevyhýbáme se i občasnému vybočení, ať už z důvodu kapacity, organizace nebo podmínek.
O věhlasu akce, ale také o zájmu posluchačů svědčí i fakt, že se návštěvnická úroveň rok co rok zvyšuje. Festival je nejenom pevnou součástí kulturního života Olomouckého kraje (kde se koná naprostá většina koncertů) s přesahem do krajů Moravskoslezského a Pardubického, ale stává se důležitým hybatelem festivalové turistiky. Za koncerty posluchači cestují z různých koutů a podporují tím také turistický průmysl. Návštěvníkům koncertů nabízí koncerty českých i zahraničních umělců mimořádné umělecké úrovně. Za dobu své existence navštívilo koncerty přes 33 tisíc posluchačů, kteří se mohou těšit na dramaturgicky pestrou a vyváženou skladbu koncertů, ať již formou komorních recitálů či koncertů komorních i větších těles nebo pěveckých sborů. Na festivalu se představují zásadní díla symfonické, operní, oratorní ale i komorní hudby.
The Klášterní hudební slavnosti festival is an international music festival with a tradition, which with its high dramaturgical and artistic level occupies the place of one of the most important and interesting music festivals of today, in Moravia it can already boast of this superlative in the given period. As the name implies, the festival performs mainly in sacred compositions or in environments that are historically connected with church institutions in some way (churches, former or current property of churches, etc.), but we do not avoid occasional deviations, either because of capacity , organization or conditions.
The fame of the event, but also the interest of the audience is evidenced by the fact that the visitor level is increasing year by year. The festival is not only an integral part of the cultural life of the Olomouc region (where the vast majority of concerts take place) with an overlap to the Moravian-Silesian and Pardubice regions, but it is also becoming an important driver of festival tourism. During the concerts, the listeners travel from different corners and thus also support the tourism industry. It offers concertgoers concerts of Czech and foreign artists of extraordinary artistic level. During its existence, over 33,000 listeners have attended concerts, who can look forward to a dramaturgically varied and balanced composition of concerts, whether in the form of chamber recitals or concerts of chamber and larger ensembles or choirs. The festival presents major works of symphonic, opera, oratorio and chamber music.
A traditional open-air music festival, which annually brings unforgettable musical evenings in the large castle courtyard to the inhabitants and visitors of Brno. In addition to large symphonic works, it also offers connections with other genres under the summer sky, and thus tries to make classical music accessible to those who might not otherwise get to it.
The Olomouc International Organ Festival was established in 1969 and takes place every year in September in the Church of St. Mořice.
The founder of the festival was prof. Antonín Schindler (1925 - 2010), who worked as an organist in the church of St. Mořice. Here he had at his disposal a unique instrument by Michael Engler from 1745, which was, however, considerably dilapidated. On the initiative of prof. Schindler's organ was generally repaired and expanded, and it was this reconstruction that prompted the establishment of an organ festival with an international level.
The Olomouc International Organ Festival has become a household name in the organ world, and its quality and level are evidenced by a number of the world's top organists who have performed at the festival. The festival is organized by the Moravian Philharmonic Olomouc.
