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Metal open air festival in Czech Republic.

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Colours of Ostrava is an international, multi-genre music festival organised annually in Ostrava since 2002. In 2012, the festival was moved to the entrancing surroundings of Dolní Vítkovice – an area that used to belong to metallurgical works, mines and ironworks. We are a free and independent festival for free and independent artists and festivalgoers. We don’t subscribe to any genre and are only open to showcasing sensitive, dynamic as well as uplifting projects with a similar philosophy to our own.

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The International Music Festival Concentus Moraviae is a unique curatorial concept of program preparation. It is primarily focused on classical music with an overlap with other genres and with a strong accent on early music, to which is the biennial dedicated. Every year the organizers address a new dramaturge with a strong program vision, so the festival always focuses on a new topic and is highly appreciated for its contribution to the field. The theme of each year reflects important musical anniversaries as well as current music and social trends. Not only significant personalities of Czech musical life (Barbara Maria Willi, Jiří Beneš, Aleš Březina, Václav Luks, Zdeněk Cupák, etc.), but also foreign musicologists (Jelle Dierickx, Walter Labhart, Tully Potter, Andrea Marcon, Markku Luolajan-Mikkola, Pierre Pitzl, Carine Moretton, etc.).

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The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.

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Hudební léto Kuks je mezinárodní festival klasické hudby konaný v kostele Nejsvětější Trojice v Kuksu.
V minulých letech zde již účinkovali:
houslisté Ivan Ženatý, Václav Hudeček, Josef Špaček, Gabriela Demeterová, basbarytonisté Adam Plachetka, Markus Flaig (Německo), Ivan Kusnjer, kontratenorista David Erler (Německo), sopranistky Martina Janková, Michiyo Keiko (Japonsko), Natalia Rubiś (Polsko), Jana Jonášová, Kateřina Kněžíková, mezzosopranistka Dagmar Pecková, tenorista Virgil Hartinger (Rakousko), violoncellista Jiří Bárta, hornista Radek Baborák, trumpetisté Otto Sauter (Německo), Miroslav Kejmar, harfistka Jana Boušková, varhaníci Jaroslav Tůma, Aleš Bárta a Wacław Golonka (Polsko), cembalisté Vojtěch Spurný, Barbara Maria Willi, hobojista Vilém Veverka, klarinetisté Claudio Mansutti (Itálie) a Ludmila Peterková, kytaristé Marco Socías (Španělsko), Carlo Domeniconi (Itálie) a Pavel Steidl;
orchestry a soubory: Filharmonie Hradec Králové, Severočeská filharmonie Teplice, Komorní filharmonie Pardubice, Collegium 1704, Ensemble Inégal, Musica Florea, Collegium Marianum, Bennewitz Quartet, Wihanovo kvarteto, Schola Gregoriana Pragensis, Český filharmonický sbor Brno, Martinů Voices, Český chlapecký sbor Boni pueri;
dirigenti a umělečtí vedoucí: Vojtěch Spurný, Marek Šedivý, Marek Štryncl, Václav Luks, Adam Viktora, David Eben, Petr Fiala, Jana Semerádová a další.

V rámci festivalu jsou rovněž uváděny skladby v novodobých premiérách. Jde především o kompozice z kukského archivu (Wernera Hymbra, Josepha Faltise, Maxima Jantschara, Wernera Zicha a Stephana Sailera), který založili v polovině 18. století členové řádu milosrdných bratří. Provedeny byly i novodobé premiéry z jiných pramenů, šlo např. o díla Václava Vodičky nebo Jakuba Jana Ryby.
Kuks Music Summer is an international festival of classical music held in the Church of the Holy Trinity in Kuks.
In recent years, the following have performed here:
violinists Ivan Ženatý, Václav Hudeček, Josef Špaček, Gabriela Demeterová, bass baritone Adam Plachetka, Markus Flaig (Germany), Ivan Kusnjer, countertenor David Erler (Germany), sopranos Martina Janková, Michiyo Keiko (Japan), Natalia Rubiś (Poland), Jana Jonášová, Kateřina Kněžíková, mezzo-soprano Dagmar Pecková, tenor Virgil Hartinger (Austria), cellist Jiří Bárta, horn player Radek Baborák, trumpet players Otto Sauter (Germany), Miroslav Kejmar, harpist Jana Boušková, organists Jaroslav Tůma, Aleš Bárta and Wacław Golon , harpsichordists Vojtěch Spurný, Barbara Maria Willi, oboist Vilém Veverka, clarinetists Claudio Mansutti (Italy) and Ludmila Peterková, guitarists Marco Socías (Spain), Carlo Domeniconi (Italy) and Pavel Steidl;
orchestras and ensembles: Hradec Králové Philharmonic, North Bohemian Philharmonic Teplice, Pardubice Chamber Philharmonic, Collegium 1704, Ensemble Inégal, Musica Florea, Collegium Marianum, Bennewitz Quartet, Wihan Quartet, Schola Gregoriana Pragensis, Czech Philharmonic Choir Brno, Martinů Voicesi Czech Guy leather;
conductors and artistic leaders: Vojtěch Spurný, Marek Šedivý, Marek Štryncl, Václav Luks, Adam Viktora, David Eben, Petr Fiala, Jana Semerádová and others.

The festival also presents compositions in modern premieres. These are mainly compositions from the Kuk archives (Werner Hymbre, Joseph Faltis, Maxim Jantschar, Werner Stier and Stephan Sailer), which were founded in the middle of the 18th century by members of the Order of Merciful Brothers. Modern premieres from other sources were also performed, such as the works of Václav Vodička or Jakub Jan Ryba.

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The Janáček Brno festival ranks among the most important events in the European cultural calendar. It is devoted to the artistic legacy of one the greatest Czech composers, Leoš Janáček, and comprehensively presents his life’s work in an international context.

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Angličtina
Festival Klášterní hudební slavnosti je mezinárodní hudební festival s tradicí, který svou vysokou dramaturgickou a uměleckou úrovní zaujímá místo jednoho z nejvýznamnějších a nejzajímavějších hudebních festivalů současnosti, na Moravě se již tímto superlativem může v daném období pochlubit beze zbytku. Jak již z názvu vyplývá, koncertuje festival především v sakrálních skladbách nebo v prostředí, která jsou s církevními institucemi historicky nějakým způsobem spojena (kostely, bývalý nebo i současný majetek církví apod.), ale nevyhýbáme se i občasnému vybočení, ať už z důvodu kapacity, organizace nebo podmínek.

O věhlasu akce, ale také o zájmu posluchačů svědčí i fakt, že se návštěvnická úroveň rok co rok zvyšuje. Festival je nejenom pevnou součástí kulturního života Olomouckého kraje (kde se koná naprostá většina koncertů) s přesahem do krajů Moravskoslezského a Pardubického, ale stává se důležitým hybatelem festivalové turistiky. Za koncerty posluchači cestují z různých koutů a podporují tím také turistický průmysl. Návštěvníkům koncertů nabízí koncerty českých i zahraničních umělců mimořádné umělecké úrovně. Za dobu své existence navštívilo koncerty přes 33 tisíc posluchačů, kteří se mohou těšit na dramaturgicky pestrou a vyváženou skladbu koncertů, ať již formou komorních recitálů či koncertů komorních i větších těles nebo pěveckých sborů. Na festivalu se představují zásadní díla symfonické, operní, oratorní ale i komorní hudby.
The Klášterní hudební slavnosti festival is an international music festival with a tradition, which with its high dramaturgical and artistic level occupies the place of one of the most important and interesting music festivals of today, in Moravia it can already boast of this superlative in the given period. As the name implies, the festival performs mainly in sacred compositions or in environments that are historically connected with church institutions in some way (churches, former or current property of churches, etc.), but we do not avoid occasional deviations, either because of capacity , organization or conditions.

The fame of the event, but also the interest of the audience is evidenced by the fact that the visitor level is increasing year by year. The festival is not only an integral part of the cultural life of the Olomouc region (where the vast majority of concerts take place) with an overlap to the Moravian-Silesian and Pardubice regions, but it is also becoming an important driver of festival tourism. During the concerts, the listeners travel from different corners and thus also support the tourism industry. It offers concertgoers concerts of Czech and foreign artists of extraordinary artistic level. During its existence, over 33,000 listeners have attended concerts, who can look forward to a dramaturgically varied and balanced composition of concerts, whether in the form of chamber recitals or concerts of chamber and larger ensembles or choirs. The festival presents major works of symphonic, opera, oratorio and chamber music.

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A traditional open-air music festival, which annually brings unforgettable musical evenings in the large castle courtyard to the inhabitants and visitors of Brno. In addition to large symphonic works, it also offers connections with other genres under the summer sky, and thus tries to make classical music accessible to those who might not otherwise get to it.

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The Moravian Autumn Festival is one of the most important cultural events in the Czech Republic. It was established as the Brno International Music Festival in 1966, when the activities of Brno's artistic institutions took on an international dimension again after years of rigid isolation, and the first year of the festival had a very positive response.
In 1987, a multi-day festival of contemporary music called Exposition of New Music was established under the auspices of the MHFB, and since 1995 it has been expanding with the Easter Festival of Sacred Music.
Moravian Autumn invites to Brno orchestras that have passed Europe so far, chamber ensembles belonging to the world's top, soloists decorating world stages. It is not only an interpretive festival that tries to bring the world's top to Brno and confront it with domestic first-class musicians, but also a program one; it's not just "about the stars" (and their competition at all), but also about the content.
We see the great contribution of the Moravian Autumn in the search for new and interesting dramaturgical lines, addressing living authors and the creation of new works. The festival also draws attention to young and talented performers, giving them the opportunity to excel. In 2015, Erkki-Sven Tüür, who, together with Arvo Pärt and Veljo Tormis, is one of the most important contemporary Estonian composers, was revived.
Moravian Autumn is a member of the Czech Association of Festivals (CAF) and is held once every two years (biennial).
The organizer is the Brno Philharmonic, a contributory organization of the statutory city of Brno.

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