Useful Contacts
FestivalsSubjects: 10
![ClassFest](/subjects/class.png)
ClassFest
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![Dvořákova Olomouc](/subjects/dvorakova.jpg)
Dvořákova Olomouc
![Festival Karla Ditterse z Dittersdorfu](/subjects/ditters.jpg)
Festival Karla Ditterse z Dittersdorfu
The Karel Ditters International Music Festival from Dittersdorf is a festival that has been held every year since 1993, mainly in the town of Javorník, partly in the town of Jeseník and its surroundings. During this time, it has become an integral part of the cultural autumn of the entire Jesenice region. It is also one of the most significant and significant projects implemented within the Olomouc Region, and its existence thus clearly proves that lively cultural activity does not escape even its northernmost region. Its annual implementation is provided by the Karel Ditters Association of Dittersdorf.
And so every autumn is traditionally carried in the spirit of Baroque sophistication, with which Karel Ditters is undoubtedly closely connected and whose work the entire festival is actually primarily dedicated to. The central idea of the whole festival is an effort to present classical music at the highest professional level to all residents of our border region, as well as to professional audiences. However, Ditters' name is not just a kind of "moral-musical regional authority" in the name of the festival, on the contrary, every year of the festival the compositions of this author appear in the repertoire of many musical ensembles, which is also one of the festival's conditions. Another is the effort to open the festival stage to young and beginning performers, often the winners of the Prague Spring or other competitions. Last but not least, it is also an effort to invite, as, after all, in the name of the festival, musicians from abroad, or at least musical ensembles with the representation of foreign performers, to the festival days.
Address
Jablonského 180/97
Olomouc
779 09
![Haydnovy hudební slavnosti](/subjects/haydn.jpg)
Haydnovy hudební slavnosti
In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).
Address
zámek Nebílovy, čp. 1
Nezvěstice, Plzeň-jih
332 04
![Hudební festival Antonína Dvořáka](/subjects/pribram_dvorak.jpg)
Hudební festival Antonína Dvořáka
The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.
![Lípa Musica](/subjects/lipa_musica.jpg)
Lípa Musica
MHF Lípa Musica is the most important festival project in the field of classical music in northern Bohemia. During its nineteen-year history, it supplemented the imaginary cultural map of our country with a highly valued and high-quality music holiday and thus became not only a representative of our country's culture in the Czech Republic, but also fulfills its international status as one of the few events in the Czech Republic. It fulfills it not only at the level of presentation of the world's leading performers in the country, but also through the export of the Czech musical elite to Germany. For years, the festival has been predestined for the development of the Czech-German dialogue, which takes place at the artistic level, but also in creating an environment for deepening friendly relations between neighboring regions at the organizing and visitor level. In recent years, the Lípa Musica Festival has been sponsoring its program with the personality of an artistic guarantor (Radek Baborák in 2017 and 2018, Josef Špaček in 2019 and 2020). This institute of the festival opens the door to the possibility of presenting excellent performers from abroad, not only of German provenance, who often, despite their exceptional qualities, appear on Czech stages for the first time and are thus a new inspiration for the Czech cultural community. Lípa Musica pays attention not only to the high level of interpretive quality, but also to the content of the dramaturgy itself and the careful selection of the presented works and their discovery and value not only in the context of generally reflected themes and anniversaries. The dramaturgy of the festival is also developed taking into account foreign trends, which are an inspiration in the selection of performers and works, but also in the more general organizational level. Lípa Musica also pays great attention to young artists and creates platforms for their collaboration with already renowned performers, and at the same time, in support of cultural dialogue, seeks to include proj
![Mezinárodní hudební festival Kutná Hora](/subjects/mhf_kutna_hora.jpg)
Mezinárodní hudební festival Kutná Hora
The Kutná Hora International Music Festival is one of the most important chamber music festivals in the Czech Republic. The creator of the dramaturgy and the selection of artists is the artistic director - cellist Jiří Bárta.
Unfortunately, even this year 2021 is associated with covid uncertainty. Last year we managed to hold the festival, albeit on a shifted date, with drapes and all hygienic measures. We all hope and believe in the improvement of the situation, and that is why we are preparing another, already the 14th year of the Kutná Hora festival.
MFKH has become an inseparable part of cultural events in the city with high attendance from all over the Czech Republic and abroad. Since we could not invite foreign artists last year, we decided to move the performance of all of Beethoven's 32 piano sonatas in Konstantin Lifschitz's masterful interpretation to this year. This very significant work of art will be divided into 8 evenings. This increases the total number of chamber music concerts to 16 concerts. We believe that not only for Kutná Hora, this festival will be something truly exceptional this year. In addition to this important project, compositions of classical chamber literature by world-famous authors (Haydn, Mozart, Vivaldi, etc.) will be heard, as well as contemporary and rarely mentioned authors (Tartini, Barber, Kabeláč, Klusák, Górecki, etc.).
Jiří Bárta traditionally connects chamber music concerts and complements them with projects at the crossroads of genres. He included Bach's cantata Ich habe genug (I already have enough of everything) in the program of the 14th Kutná Hora festival for solo bass, oboe and strings connected with an epic poem by Arnošt Lustig performed by Vilma Cibulková, Jiří Lábus and Vilém Udatný entitled "Cantata - Dance of the Mad". The theme of the musical-lyrical band is death as liberation from a world permeated with misery and despair and is an indictment of the most horrific crime in human history.
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Address
Barborská ulice
Kutná Hora
284 01
![Mezinárodní varhanní festival Olomouc](/subjects/varholom.png)
Mezinárodní varhanní festival Olomouc
The Olomouc International Organ Festival was established in 1969 and takes place every year in September in the Church of St. Mořice.
The founder of the festival was prof. Antonín Schindler (1925 - 2010), who worked as an organist in the church of St. Mořice. Here he had at his disposal a unique instrument by Michael Engler from 1745, which was, however, considerably dilapidated. On the initiative of prof. Schindler's organ was generally repaired and expanded, and it was this reconstruction that prompted the establishment of an organ festival with an international level.
The Olomouc International Organ Festival has become a household name in the organ world, and its quality and level are evidenced by a number of the world's top organists who have performed at the festival. The festival is organized by the Moravian Philharmonic Olomouc.
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Address
Horní náměstí 23
Olomouc
772 00
![Podzimní festival duchovní hudby](/subjects/duchovni_hudby.jpg)
Podzimní festival duchovní hudby
The Autumn Festival of Sacred Music was founded in 1994 and over the twenty-six years of its existence has become a major cultural event in Olomouc. Under the auspices of the archbishop of Olomouc and Moravian metropolitan Msgre Jan Graubner the Festival is organised by MUSICA VIVA in co-operation with the City of Olomouc, the Regional Authority of the Olomouc Region and the Czech Ministry of Culture. The prominent Czech conductor Stanislav Macura was the Festival’s co-founder and over a period of fifteen years served as its artistic director and conductor significantly influencing the Festival’s unique character. The dramaturgy draws upon the immensely rich heritage of brilliant composers of all nations without ignoring contemporary modern sacred music and observes ecumenical principles. The Festival has been recognised for the outstanding artistic quality of guest soloists and internationally renowned quality of vocal and instrumental ensembles. Radio recordings were made from the Festival concerts by Czech Radio, Radio Niederoesterreich (ORF), Slovak Radio and Polish Radio; concerts were broadcasted across Europe via international radio network of EBU. Twenty-five concerts were recorded and broadcasted in co-operation with Czech Television and TV Noe.
Address
1. máje 820/5
Olomouc
77200
![Smetanovské dny](/subjects/smetanovske.png)
Smetanovské dny
The international interdisciplinary festival SMETANOVSKÉ DNY, which belongs to the calendar of the most important cultural events in Pilsen for more than thirty years, represents tradition and the certainty that there are still lasting values that can be relied on. For music and art lovers in general, it is a real holiday that brings extraordinary experiences every year. In the top performance of important ensembles and leading performers of our and foreign scene, listeners can listen to well-known masterpieces in traditional and new contexts, as well as musical novelties. The interdisciplinarity, which stood at the very beginning of the festival in the form of a scientific symposium devoted to the issues of Czech culture of the 19th century, is maintained. Within the cultural context, the festival is rare in that it connects the world of music with the world of science, philosophy, literature, fine arts, theater and film. An integral part of the festival is also the involvement of Pilsen artists and performers.