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Colours of Ostrava is an international, multi-genre music festival organised annually in Ostrava since 2002. In 2012, the festival was moved to the entrancing surroundings of Dolní Vítkovice – an area that used to belong to metallurgical works, mines and ironworks. We are a free and independent festival for free and independent artists and festivalgoers. We don’t subscribe to any genre and are only open to showcasing sensitive, dynamic as well as uplifting projects with a similar philosophy to our own.

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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The Petr Dvorský Music Festival focuses mainly on the human voice. In many genres, from classics of all periods to pop, jazz and folklore, top Czech and foreign artists present themselves at it. In addition to its patron Petr Dvorský, the festival hosted, for example, Jelena Obrazcová, Kiri Te Kanawa, Montserrat Caballé, Karel Gott, Lucia Bílá, Mira Žbirka and Ewa Farná.

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Fryderyk Chopin's company in the Czech Republic is one of the oldest music companies in the world - it was founded on June 10, 1959 at the initiative of several people who did not even know about themselves at first. However, they dealt with the Chopin theme and especially Chopin's stay in our territory, especially in Prague, Karlovy Vary and Mariánské Lázně.

The efforts of these researchers came together to celebrate the 150th anniversary of the birth of Fryderyk Chopin, which fell in 1960 and was commemorated by the whole world under the auspices of UNESCO. The deepest expression of respect for the Polish composer and a living reminder of his stay in Mariánské Lázně is his music. The idea of ​​presenting the Company with a music festival was born. It sounds every year in the second half of August. From the beginning it was the "Festive Chopin Days", since 1969 it has been a well-known name Chopin Festival. Chopin International Festival is the third oldest music festival in our country.

After 1990, the Fryderyk Chopin Society in Mariánské Lázně became a member of the International Federation of Chopin Societies (IFCS). The federation, based in Vienna, has been registered as a musical, world community under the auspices of UNESCO. Thanks to its membership in the International Federation of Chopin Societies (IFCS), the company is listed as the only Czech music company on this list.

Since 1992, the famous piano star - professor Ivan Klánský - has been winning the festival with an artistic feeling. Pianist MgA. Martin Kasík, vice-chairman of the Society and artistic director of the festival, has been preparing the festival's dramaturgy since 2004. In addition to increasing the artistic and social prestige of the Chopin Festival in Mariánské Lázně, the company's priority is also extraordinary support and care for young talents in piano art.
In 2009, the Ministry of Culture of the Republic of Poland presented the "Gloria Artis" award to the 50th anniversary of the Fryderyk Chopin Society. The Ministry of Foreign Affairs of the Republic of Poland awarded prof. Ivan Klánský in 2014 on the occasion of the 55th anniversary of the F. Chopin Company, an honorary Bene Merito badge for merits in promoting Polish culture. In 2017, prof. Ivan Klánský is the prestigious Antonín Dvořák Award, which is awarded annually by the Academy of Classical Music to personalities who, with their life's work or extraordinary artistic achievement, have significantly contributed to the promotion and popularization of Czech classical music at home and abroad. Prof. On May 1, 2018, Ivan Klánský received a Garnet Star awarded by the Bohemian Heritage Fund (BHF) at his concert in Prague's Rudolfinum. "I was extremely pleased with the news of my Grenade Star award in the year of my life anniversary. I consider it a great honor to be in the company of two such great personalities of our musical life who received this award before me - professors Zuzana Růžičková and Mrs. Soňa Červená. I really appreciate this important award ", said prof. Ivan Klánský.

The company cooperates intensively on the preparations for the festival and other events with the Polish Institute and the City of Mariánské Lázně, which is already the traditional co-organizer of the Chopin Festival.

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Angličtina
Festival Klášterní hudební slavnosti je mezinárodní hudební festival s tradicí, který svou vysokou dramaturgickou a uměleckou úrovní zaujímá místo jednoho z nejvýznamnějších a nejzajímavějších hudebních festivalů současnosti, na Moravě se již tímto superlativem může v daném období pochlubit beze zbytku. Jak již z názvu vyplývá, koncertuje festival především v sakrálních skladbách nebo v prostředí, která jsou s církevními institucemi historicky nějakým způsobem spojena (kostely, bývalý nebo i současný majetek církví apod.), ale nevyhýbáme se i občasnému vybočení, ať už z důvodu kapacity, organizace nebo podmínek.

O věhlasu akce, ale také o zájmu posluchačů svědčí i fakt, že se návštěvnická úroveň rok co rok zvyšuje. Festival je nejenom pevnou součástí kulturního života Olomouckého kraje (kde se koná naprostá většina koncertů) s přesahem do krajů Moravskoslezského a Pardubického, ale stává se důležitým hybatelem festivalové turistiky. Za koncerty posluchači cestují z různých koutů a podporují tím také turistický průmysl. Návštěvníkům koncertů nabízí koncerty českých i zahraničních umělců mimořádné umělecké úrovně. Za dobu své existence navštívilo koncerty přes 33 tisíc posluchačů, kteří se mohou těšit na dramaturgicky pestrou a vyváženou skladbu koncertů, ať již formou komorních recitálů či koncertů komorních i větších těles nebo pěveckých sborů. Na festivalu se představují zásadní díla symfonické, operní, oratorní ale i komorní hudby.
The Klášterní hudební slavnosti festival is an international music festival with a tradition, which with its high dramaturgical and artistic level occupies the place of one of the most important and interesting music festivals of today, in Moravia it can already boast of this superlative in the given period. As the name implies, the festival performs mainly in sacred compositions or in environments that are historically connected with church institutions in some way (churches, former or current property of churches, etc.), but we do not avoid occasional deviations, either because of capacity , organization or conditions.

The fame of the event, but also the interest of the audience is evidenced by the fact that the visitor level is increasing year by year. The festival is not only an integral part of the cultural life of the Olomouc region (where the vast majority of concerts take place) with an overlap to the Moravian-Silesian and Pardubice regions, but it is also becoming an important driver of festival tourism. During the concerts, the listeners travel from different corners and thus also support the tourism industry. It offers concertgoers concerts of Czech and foreign artists of extraordinary artistic level. During its existence, over 33,000 listeners have attended concerts, who can look forward to a dramaturgically varied and balanced composition of concerts, whether in the form of chamber recitals or concerts of chamber and larger ensembles or choirs. The festival presents major works of symphonic, opera, oratorio and chamber music.

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The Kutná Hora International Music Festival is one of the most important chamber music festivals in the Czech Republic. The creator of the dramaturgy and the selection of artists is the artistic director - cellist Jiří Bárta.

Unfortunately, even this year 2021 is associated with covid uncertainty. Last year we managed to hold the festival, albeit on a shifted date, with drapes and all hygienic measures. We all hope and believe in the improvement of the situation, and that is why we are preparing another, already the 14th year of the Kutná Hora festival.

MFKH has become an inseparable part of cultural events in the city with high attendance from all over the Czech Republic and abroad. Since we could not invite foreign artists last year, we decided to move the performance of all of Beethoven's 32 piano sonatas in Konstantin Lifschitz's masterful interpretation to this year. This very significant work of art will be divided into 8 evenings. This increases the total number of chamber music concerts to 16 concerts. We believe that not only for Kutná Hora, this festival will be something truly exceptional this year. In addition to this important project, compositions of classical chamber literature by world-famous authors (Haydn, Mozart, Vivaldi, etc.) will be heard, as well as contemporary and rarely mentioned authors (Tartini, Barber, Kabeláč, Klusák, Górecki, etc.).

Jiří Bárta traditionally connects chamber music concerts and complements them with projects at the crossroads of genres. He included Bach's cantata Ich habe genug (I already have enough of everything) in the program of the 14th Kutná Hora festival for solo bass, oboe and strings connected with an epic poem by Arnošt Lustig performed by Vilma Cibulková, Jiří Lábus and Vilém Udatný entitled "Cantata - Dance of the Mad". The theme of the musical-lyrical band is death as liberation from a world permeated with misery and despair and is an indictment of the most horrific crime in human history.

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Festival of new and experimental music

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The St. Wenceslas Music Festival (SHF) is the largest international festival of sacred and so-called early music in the Czech Republic. Since its inception in 2004, SHF has been held annually not only in Ostrava, but also in many churches throughout the Moravian-Silesian Region during the month of September (the first 10 years took place between two public holidays, September 28 - October 28). Traditionally, more than thirty concerts are celebrated by the feast of St. Wenceslas, representing the symbol of Czech statehood.

The main goal of SHF is the presentation of the so-called informed interpretation of early and sacred music in sacred spaces, in an effort to restore this music to its original meaning. High quality festival dramaturgy of the director of SHF doc. Mgr. Igor Františák, Ph.D. is guided by three main lines: monumental vocal-instrumental concerts, programs focused on the so-called authentic interpretation of early music and chamber and solo projects, which are annually supplemented by non-traditional and crossover projects. SHF systematically supports the talents of the young generation, presents the winners of prestigious competitions, modern premieres and unique projects (crossover projects, ballet, video art or film in the church). He also patriotistly takes care of the genius loci by presenting concerts by Moravian-Silesian natives of European artistic parameters and works by forgotten composers who have lived and created in the region since the Baroque period. The prestigious SHF residential ensembles are Collegium 1704, Collegium Marianum, Czech Philharmonic Choir Brno.

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