Colours of Ostrava is an international, multi-genre music festival organised annually in Ostrava since 2002. In 2012, the festival was moved to the entrancing surroundings of Dolní Vítkovice – an area that used to belong to metallurgical works, mines and ironworks. We are a free and independent festival for free and independent artists and festivalgoers. We don’t subscribe to any genre and are only open to showcasing sensitive, dynamic as well as uplifting projects with a similar philosophy to our own.
The International Music Festival Concentus Moraviae is a unique curatorial concept of program preparation. It is primarily focused on classical music with an overlap with other genres and with a strong accent on early music, to which is the biennial dedicated. Every year the organizers address a new dramaturge with a strong program vision, so the festival always focuses on a new topic and is highly appreciated for its contribution to the field. The theme of each year reflects important musical anniversaries as well as current music and social trends. Not only significant personalities of Czech musical life (Barbara Maria Willi, Jiří Beneš, Aleš Březina, Václav Luks, Zdeněk Cupák, etc.), but also foreign musicologists (Jelle Dierickx, Walter Labhart, Tully Potter, Andrea Marcon, Markku Luolajan-Mikkola, Pierre Pitzl, Carine Moretton, etc.).
The International Music Festival Dobršská Brána will again offer a refreshing insight into the world of contemporary music without dramaturgical compromises and a formal genre classification of performers. In their work they present, they freely switch between genres and combine elements of folk music with jazz and chamber music. This corresponds to the specific dramaturgy of the festival and its motto “The Gate to the World of Music”.
The festival continues and fits into the global trend of seraching for new connections between traditional, classical and contemporary music and thus creates a unique musical event that would hardly find a comparison on the Czech music scene. At the same time, the festival gives a new impulse for meeting of world musicians and the Czech audience on the spot for many visitors unusual, yet with a long musical tradition, outside the Czech metropolis. The success of the past year is supported by musical responses from the audience and critics’ reviews by proving that the focus of the festival has been a step in the right direction. During the two-day period, the second year presented performers from Norway, Sweden, the Netherlands, Japan, USA, Germany, Austria, Poland and the Czech Republic. So the event took place with a truly European overlap.
The Karel Ditters International Music Festival from Dittersdorf is a festival that has been held every year since 1993, mainly in the town of Javorník, partly in the town of Jeseník and its surroundings. During this time, it has become an integral part of the cultural autumn of the entire Jesenice region. It is also one of the most significant and significant projects implemented within the Olomouc Region, and its existence thus clearly proves that lively cultural activity does not escape even its northernmost region. Its annual implementation is provided by the Karel Ditters Association of Dittersdorf.
And so every autumn is traditionally carried in the spirit of Baroque sophistication, with which Karel Ditters is undoubtedly closely connected and whose work the entire festival is actually primarily dedicated to. The central idea of the whole festival is an effort to present classical music at the highest professional level to all residents of our border region, as well as to professional audiences. However, Ditters' name is not just a kind of "moral-musical regional authority" in the name of the festival, on the contrary, every year of the festival the compositions of this author appear in the repertoire of many musical ensembles, which is also one of the festival's conditions. Another is the effort to open the festival stage to young and beginning performers, often the winners of the Prague Spring or other competitions. Last but not least, it is also an effort to invite, as, after all, in the name of the festival, musicians from abroad, or at least musical ensembles with the representation of foreign performers, to the festival days.
In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).
zámek Nebílovy, čp. 1 Nezvěstice, Plzeň-jih 332 04
Hudební festival Petra Dvorského
Vysočina
Festivals|Classical|Jazz|Pop
The Petr Dvorský Music Festival focuses mainly on the human voice. In many genres, from classics of all periods to pop, jazz and folklore, top Czech and foreign artists present themselves at it. In addition to its patron Petr Dvorský, the festival hosted, for example, Jelena Obrazcová, Kiri Te Kanawa, Montserrat Caballé, Karel Gott, Lucia Bílá, Mira Žbirka and Ewa Farná.
The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.
Fryderyk Chopin's company in the Czech Republic is one of the oldest music companies in the world - it was founded on June 10, 1959 at the initiative of several people who did not even know about themselves at first. However, they dealt with the Chopin theme and especially Chopin's stay in our territory, especially in Prague, Karlovy Vary and Mariánské Lázně.
The efforts of these researchers came together to celebrate the 150th anniversary of the birth of Fryderyk Chopin, which fell in 1960 and was commemorated by the whole world under the auspices of UNESCO. The deepest expression of respect for the Polish composer and a living reminder of his stay in Mariánské Lázně is his music. The idea of presenting the Company with a music festival was born. It sounds every year in the second half of August. From the beginning it was the "Festive Chopin Days", since 1969 it has been a well-known name Chopin Festival. Chopin International Festival is the third oldest music festival in our country.
After 1990, the Fryderyk Chopin Society in Mariánské Lázně became a member of the International Federation of Chopin Societies (IFCS). The federation, based in Vienna, has been registered as a musical, world community under the auspices of UNESCO. Thanks to its membership in the International Federation of Chopin Societies (IFCS), the company is listed as the only Czech music company on this list.
Since 1992, the famous piano star - professor Ivan Klánský - has been winning the festival with an artistic feeling. Pianist MgA. Martin Kasík, vice-chairman of the Society and artistic director of the festival, has been preparing the festival's dramaturgy since 2004. In addition to increasing the artistic and social prestige of the Chopin Festival in Mariánské Lázně, the company's priority is also extraordinary support and care for young talents in piano art.
In 2009, the Ministry of Culture of the Republic of Poland presented the "Gloria Artis" award to the 50th anniversary of the Fryderyk Chopin Society. The Ministry of Foreign Affairs of the Republic of Poland awarded prof. Ivan Klánský in 2014 on the occasion of the 55th anniversary of the F. Chopin Company, an honorary Bene Merito badge for merits in promoting Polish culture. In 2017, prof. Ivan Klánský is the prestigious Antonín Dvořák Award, which is awarded annually by the Academy of Classical Music to personalities who, with their life's work or extraordinary artistic achievement, have significantly contributed to the promotion and popularization of Czech classical music at home and abroad. Prof. On May 1, 2018, Ivan Klánský received a Garnet Star awarded by the Bohemian Heritage Fund (BHF) at his concert in Prague's Rudolfinum. "I was extremely pleased with the news of my Grenade Star award in the year of my life anniversary. I consider it a great honor to be in the company of two such great personalities of our musical life who received this award before me - professors Zuzana Růžičková and Mrs. Soňa Červená. I really appreciate this important award ", said prof. Ivan Klánský.
The company cooperates intensively on the preparations for the festival and other events with the Polish Institute and the City of Mariánské Lázně, which is already the traditional co-organizer of the Chopin Festival.
The Janáček Brno festival ranks among the most important events in the European cultural calendar. It is devoted to the artistic legacy of one the greatest Czech composers, Leoš Janáček, and comprehensively presents his life’s work in an international context.
