Horn Fest was created on the initiative of the Czech horn player Radek Baborák, who would like to take this step to contribute to the more than 300-year-old tradition of the Czech horn game. The unifying element of the whole festival is therefore the French horn. As part of the Horn Fest, listeners will be able to listen to the various positions of this instrument, support a diverse instrumental cast and genre, as well as a very varied program. They will be able to see for themselves that the French horn is not just an instrument of love, but mainly a melodic instrument with an infinite number of color scales, just a great understanding of both wind instruments and strings!
The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.
Angličtina
Festival Klášterní hudební slavnosti je mezinárodní hudební festival s tradicí, který svou vysokou dramaturgickou a uměleckou úrovní zaujímá místo jednoho z nejvýznamnějších a nejzajímavějších hudebních festivalů současnosti, na Moravě se již tímto superlativem může v daném období pochlubit beze zbytku. Jak již z názvu vyplývá, koncertuje festival především v sakrálních skladbách nebo v prostředí, která jsou s církevními institucemi historicky nějakým způsobem spojena (kostely, bývalý nebo i současný majetek církví apod.), ale nevyhýbáme se i občasnému vybočení, ať už z důvodu kapacity, organizace nebo podmínek.
O věhlasu akce, ale také o zájmu posluchačů svědčí i fakt, že se návštěvnická úroveň rok co rok zvyšuje. Festival je nejenom pevnou součástí kulturního života Olomouckého kraje (kde se koná naprostá většina koncertů) s přesahem do krajů Moravskoslezského a Pardubického, ale stává se důležitým hybatelem festivalové turistiky. Za koncerty posluchači cestují z různých koutů a podporují tím také turistický průmysl. Návštěvníkům koncertů nabízí koncerty českých i zahraničních umělců mimořádné umělecké úrovně. Za dobu své existence navštívilo koncerty přes 33 tisíc posluchačů, kteří se mohou těšit na dramaturgicky pestrou a vyváženou skladbu koncertů, ať již formou komorních recitálů či koncertů komorních i větších těles nebo pěveckých sborů. Na festivalu se představují zásadní díla symfonické, operní, oratorní ale i komorní hudby.
The Klášterní hudební slavnosti festival is an international music festival with a tradition, which with its high dramaturgical and artistic level occupies the place of one of the most important and interesting music festivals of today, in Moravia it can already boast of this superlative in the given period. As the name implies, the festival performs mainly in sacred compositions or in environments that are historically connected with church institutions in some way (churches, former or current property of churches, etc.), but we do not avoid occasional deviations, either because of capacity , organization or conditions.
The fame of the event, but also the interest of the audience is evidenced by the fact that the visitor level is increasing year by year. The festival is not only an integral part of the cultural life of the Olomouc region (where the vast majority of concerts take place) with an overlap to the Moravian-Silesian and Pardubice regions, but it is also becoming an important driver of festival tourism. During the concerts, the listeners travel from different corners and thus also support the tourism industry. It offers concertgoers concerts of Czech and foreign artists of extraordinary artistic level. During its existence, over 33,000 listeners have attended concerts, who can look forward to a dramaturgically varied and balanced composition of concerts, whether in the form of chamber recitals or concerts of chamber and larger ensembles or choirs. The festival presents major works of symphonic, opera, oratorio and chamber music.
This festival, organized by the Prague Spring, is dedicated to the celebration of the piano and the figure of the greatest Czech pianist of the 20th century, Rudolf Firkušný, who was also very closely connected with the Prague Spring.
The Early Music Summer Festival is the largest and longest-running early music festival in Prague. Since 2000, the festival has been the gateway through which top foreign performers flow to the Czech Republic, playing originals or copies of historical instruments while maintaining the highest demands for perfection of performance, which we are used to with modern instruments.
The thematically elaborated dramaturgy of individual years presents a number of compositions in modern premieres, not only in the Czech but also often in a global context. The festival is unique in its overlap with Baroque theater and dance. One of the advantages of the festival is the connection of beautiful architecture with music of appropriate styles.
Concerts and performances held regularly, for example, in the Břevnov Monastery, Troja Castle, Rudolfinum, the Lobkowicz Palace, in the interiors of lesser-known Prague churches and other Prague historical spaces.
The festival is a member of the European REMA network and is a proud holder of the prestigious EFFE Label 2017-2021 and the "exceptional festival" label.
In the 30 years of its existence, the festival has become one of the three largest classical festivals in the Czech Republic, offering 550 concerts and performances, during which more than 13,000 artists from 40 countries performed.
This summer show offers 4 weeks of music from the 15th to the 21st century with international classical / crossover stars in unique places in the city with a real genius loci.
The Kutná Hora International Music Festival is one of the most important chamber music festivals in the Czech Republic. The creator of the dramaturgy and the selection of artists is the artistic director - cellist Jiří Bárta.
Unfortunately, even this year 2021 is associated with covid uncertainty. Last year we managed to hold the festival, albeit on a shifted date, with drapes and all hygienic measures. We all hope and believe in the improvement of the situation, and that is why we are preparing another, already the 14th year of the Kutná Hora festival.
MFKH has become an inseparable part of cultural events in the city with high attendance from all over the Czech Republic and abroad. Since we could not invite foreign artists last year, we decided to move the performance of all of Beethoven's 32 piano sonatas in Konstantin Lifschitz's masterful interpretation to this year. This very significant work of art will be divided into 8 evenings. This increases the total number of chamber music concerts to 16 concerts. We believe that not only for Kutná Hora, this festival will be something truly exceptional this year. In addition to this important project, compositions of classical chamber literature by world-famous authors (Haydn, Mozart, Vivaldi, etc.) will be heard, as well as contemporary and rarely mentioned authors (Tartini, Barber, Kabeláč, Klusák, Górecki, etc.).
Jiří Bárta traditionally connects chamber music concerts and complements them with projects at the crossroads of genres. He included Bach's cantata Ich habe genug (I already have enough of everything) in the program of the 14th Kutná Hora festival for solo bass, oboe and strings connected with an epic poem by Arnošt Lustig performed by Vilma Cibulková, Jiří Lábus and Vilém Udatný entitled "Cantata - Dance of the Mad". The theme of the musical-lyrical band is death as liberation from a world permeated with misery and despair and is an indictment of the most horrific crime in human history.
The civic association MLADÁ PRAHA - INTERNATIONAL MUSIC FESTIVAL has set itself the goal of helping promising young beginning artists in the field of classical music - instrumentalists, singers, chamber ensembles, conductors, but also composers. We want to facilitate the beginnings of their artistic career through concerts at the international level and enable the establishment of friendships with young musicians from all over the world.
Thus was born the idea of founding an international music festival. The initiators, representatives of the International Music Society in Munich (IMGM - Internationale Musikgesellschaft München) decided in 1990 to locate it in Czechoslovakia and chose the name Mladá Praha. In 1992, at the turn of August and September, the first festival took place with the participation of artists of eight nationalities from Peru to Japan. During 1992, a Japanese committee of the Young Prague Festival was also established in Tokyo with the task of selecting the most interesting young musicians from Asia. Thanks to the constant support of Japanese companies permanently operating in the Czech Republic, the Ministry of Culture and several sponsors from the Czech Republic, whose support we greatly appreciate, it has been possible to hold twenty-five years of the festival. In total, over 900 young artists from most European countries, as well as from the USA, Canada, Peru, India, Mexico, China, Korea and Japan performed at more than 350 concerts. In addition to soloists, a number of orchestras and choirs performed here.
