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The international music festival Czech Touches of Music is among the seven greatest festivals of classical music in the Czech Republic. Its aim is to offer audiences valuable musical experiences while listening to top repertory compositions as well as interesting compositions that are not performed so frequently. The festival’s dramaturgy has a unique concept based primarily on classical music, namely orchestral, chamber and recital works, and ancient music. The popular series is represented by crossover concerts. The festival regularly introduces special programme projects – exclusive concerts as part of the cycles entitled Prague Castle Music, Gems of Russian Music, Music of the V4 Countries, Concert for Children and Parents, and multi-genre projects involving literature, film, the creative arts and architecture. It is the only Czech festival to have its own eponymous festival orchestra with the artistic leader, violinist Pavel Fischer. It is the festival’s long-term dramaturgical intention to look for interesting and infrequently performed music and also to present music by Czech composers of the latter half of the 20th century as well as contemporary composers, as a follow-up to the tradition of the founding personalities of modern Czech music – Leoš Janáček and Bohuslav Martinů. The festival regularly provides opportunities for younger generations of musical interpreters and for the introduction of compositions by composers under 35 years of age, along with already renowned artists and orchestras.

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Music festival taking part on several Czech castles, every castle has the same festival programm, ofcused only on Czech artists

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metal, death, thrash, slam, hardcore, core, post metal - festival

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Festival dedicated to music of Czech composer Bohuslav Martinů

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The International Music Festival Dobršská Brána will again offer a refreshing insight into the world of contemporary music without dramaturgical compromises and a formal genre classification of performers. In their work they present, they freely switch between genres and combine elements of folk music with jazz and chamber music. This corresponds to the specific dramaturgy of the festival and its motto “The Gate to the World of Music”.

The festival continues and fits into the global trend of seraching for new connections between traditional, classical and contemporary music and thus creates a unique musical event that would hardly find a comparison on the Czech music scene. At the same time, the festival gives a new impulse for meeting of world musicians and the Czech audience on the spot for many visitors unusual, yet with a long musical tradition, outside the Czech metropolis. The success of the past year is supported by musical responses from the audience and critics’ reviews by proving that the focus of the festival has been a step in the right direction. During the two-day period, the second year presented performers from Norway, Sweden, the Netherlands, Japan, USA, Germany, Austria, Poland and the Czech Republic. So the event took place with a truly European overlap.

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The main goal of the Dvořák Prague International Music Festival has been to promote the good name of Czech culture via the legacy of the works of Antonín Dvořák, his contemporaries, and his pupils. And because the sole measure of the festival's success is quality, only topflight soloists and conductors and the most internationally-acclaimed orchestras and chamber ensembles come together on the Dvořák Prague concert stages, presenting music by Dvořák and other composers of the world to an international audience.

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Atmospheric folk death, black, black death, blackened pagan, black punk, dark, death, death doom, death thrash, doom, electronic industrial, thrash,... styles nicely alphabetized. The common denominator is extreme metal, which we will serve in these forms at ETEF 2020.
ETEF is a living community, no blind shots. We have almost zero record of changes in festival lineup. What you see on the poster is what you see and hear onstage in the summer. We don't hunt "extra-league" headliners. These belong to Brutals, Wackens and similar "Hellfests." However, an exciting lineup of bands that can perform qualitatively in even the toughest competition is already guaranteed…

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Extreme music festival from Prague, CZ celebrating underground genres like hardcore/punk, grindcore, crust, powerviolence, sludge, doom, death metal and others. Just 2 days of loud music, 2 stages, vegan food, distros and good vibes in general. Brought to you by a DIY spirit of Kreas Promotion, D-Beat Mafie, La Fiesta Del Ruido and River Promotions.

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The Karel Ditters International Music Festival from Dittersdorf is a festival that has been held every year since 1993, mainly in the town of Javorník, partly in the town of Jeseník and its surroundings. During this time, it has become an integral part of the cultural autumn of the entire Jesenice region. It is also one of the most significant and significant projects implemented within the Olomouc Region, and its existence thus clearly proves that lively cultural activity does not escape even its northernmost region. Its annual implementation is provided by the Karel Ditters Association of Dittersdorf.
And so every autumn is traditionally carried in the spirit of Baroque sophistication, with which Karel Ditters is undoubtedly closely connected and whose work the entire festival is actually primarily dedicated to. The central idea of ​​the whole festival is an effort to present classical music at the highest professional level to all residents of our border region, as well as to professional audiences. However, Ditters' name is not just a kind of "moral-musical regional authority" in the name of the festival, on the contrary, every year of the festival the compositions of this author appear in the repertoire of many musical ensembles, which is also one of the festival's conditions. Another is the effort to open the festival stage to young and beginning performers, often the winners of the Prague Spring or other competitions. Last but not least, it is also an effort to invite, as, after all, in the name of the festival, musicians from abroad, or at least musical ensembles with the representation of foreign performers, to the festival days.

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