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Benátská night is a multi-genre festival focused on Czech music.

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The International Music Festival Concentus Moraviae is a unique curatorial concept of program preparation. It is primarily focused on classical music with an overlap with other genres and with a strong accent on early music, to which is the biennial dedicated. Every year the organizers address a new dramaturge with a strong program vision, so the festival always focuses on a new topic and is highly appreciated for its contribution to the field. The theme of each year reflects important musical anniversaries as well as current music and social trends. Not only significant personalities of Czech musical life (Barbara Maria Willi, Jiří Beneš, Aleš Březina, Václav Luks, Zdeněk Cupák, etc.), but also foreign musicologists (Jelle Dierickx, Walter Labhart, Tully Potter, Andrea Marcon, Markku Luolajan-Mikkola, Pierre Pitzl, Carine Moretton, etc.).

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In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).

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The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.

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The Janáček Brno festival ranks among the most important events in the European cultural calendar. It is devoted to the artistic legacy of one the greatest Czech composers, Leoš Janáček, and comprehensively presents his life’s work in an international context.

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A traditional open-air music festival, which annually brings unforgettable musical evenings in the large castle courtyard to the inhabitants and visitors of Brno. In addition to large symphonic works, it also offers connections with other genres under the summer sky, and thus tries to make classical music accessible to those who might not otherwise get to it.

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The Moravian Autumn Festival is one of the most important cultural events in the Czech Republic. It was established as the Brno International Music Festival in 1966, when the activities of Brno's artistic institutions took on an international dimension again after years of rigid isolation, and the first year of the festival had a very positive response.
In 1987, a multi-day festival of contemporary music called Exposition of New Music was established under the auspices of the MHFB, and since 1995 it has been expanding with the Easter Festival of Sacred Music.
Moravian Autumn invites to Brno orchestras that have passed Europe so far, chamber ensembles belonging to the world's top, soloists decorating world stages. It is not only an interpretive festival that tries to bring the world's top to Brno and confront it with domestic first-class musicians, but also a program one; it's not just "about the stars" (and their competition at all), but also about the content.
We see the great contribution of the Moravian Autumn in the search for new and interesting dramaturgical lines, addressing living authors and the creation of new works. The festival also draws attention to young and talented performers, giving them the opportunity to excel. In 2015, Erkki-Sven Tüür, who, together with Arvo Pärt and Veljo Tormis, is one of the most important contemporary Estonian composers, was revived.
Moravian Autumn is a member of the Czech Association of Festivals (CAF) and is held once every two years (biennial).
The organizer is the Brno Philharmonic, a contributory organization of the statutory city of Brno.

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Pop Messe is a music festival that follows up on Brno’s trade fair tradition as well as focus on education, new technology and innovation. The line-up is primarily (not only though) young, multi-genre music that goes beyond the established concept of POP. The two day long event will take place between the 24th and 25th of July in Brno’s football stadium and Bobycentrum. Pop Messe’s ambition is to become a unique cultural platform with high artistic potential in a dynamic South Moravian metropolis.

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The international interdisciplinary festival SMETANOVSKÉ DNY, which belongs to the calendar of the most important cultural events in Pilsen for more than thirty years, represents tradition and the certainty that there are still lasting values ​​that can be relied on. For music and art lovers in general, it is a real holiday that brings extraordinary experiences every year. In the top performance of important ensembles and leading performers of our and foreign scene, listeners can listen to well-known masterpieces in traditional and new contexts, as well as musical novelties. The interdisciplinarity, which stood at the very beginning of the festival in the form of a scientific symposium devoted to the issues of Czech culture of the 19th century, is maintained. Within the cultural context, the festival is rare in that it connects the world of music with the world of science, philosophy, literature, fine arts, theater and film. An integral part of the festival is also the involvement of Pilsen artists and performers.

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