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In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).

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Horn Fest was created on the initiative of the Czech horn player Radek Baborák, who would like to take this step to contribute to the more than 300-year-old tradition of the Czech horn game. The unifying element of the whole festival is therefore the French horn. As part of the Horn Fest, listeners will be able to listen to the various positions of this instrument, support a diverse instrumental cast and genre, as well as a very varied program. They will be able to see for themselves that the French horn is not just an instrument of love, but mainly a melodic instrument with an infinite number of color scales, just a great understanding of both wind instruments and strings!

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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Rock festival taking place in August during local folklor celebration in small town Domažlice. Latest season had about 10 000 visitors.

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This festival, organized by the Prague Spring, is dedicated to the celebration of the piano and the figure of the greatest Czech pianist of the 20th century, Rudolf Firkušný, who was also very closely connected with the Prague Spring.

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The Early Music Summer Festival is the largest and longest-running early music festival in Prague. Since 2000, the festival has been the gateway through which top foreign performers flow to the Czech Republic, playing originals or copies of historical instruments while maintaining the highest demands for perfection of performance, which we are used to with modern instruments.
The thematically elaborated dramaturgy of individual years presents a number of compositions in modern premieres, not only in the Czech but also often in a global context. The festival is unique in its overlap with Baroque theater and dance. One of the advantages of the festival is the connection of beautiful architecture with music of appropriate styles.

Concerts and performances held regularly, for example, in the Břevnov Monastery, Troja Castle, Rudolfinum, the Lobkowicz Palace, in the interiors of lesser-known Prague churches and other Prague historical spaces.

The festival is a member of the European REMA network and is a proud holder of the prestigious EFFE Label 2017-2021 and the "exceptional festival" label.

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MHF Lípa Musica is the most important festival project in the field of classical music in northern Bohemia. During its nineteen-year history, it supplemented the imaginary cultural map of our country with a highly valued and high-quality music holiday and thus became not only a representative of our country's culture in the Czech Republic, but also fulfills its international status as one of the few events in the Czech Republic. It fulfills it not only at the level of presentation of the world's leading performers in the country, but also through the export of the Czech musical elite to Germany. For years, the festival has been predestined for the development of the Czech-German dialogue, which takes place at the artistic level, but also in creating an environment for deepening friendly relations between neighboring regions at the organizing and visitor level. In recent years, the Lípa Musica Festival has been sponsoring its program with the personality of an artistic guarantor (Radek Baborák in 2017 and 2018, Josef Špaček in 2019 and 2020). This institute of the festival opens the door to the possibility of presenting excellent performers from abroad, not only of German provenance, who often, despite their exceptional qualities, appear on Czech stages for the first time and are thus a new inspiration for the Czech cultural community. Lípa Musica pays attention not only to the high level of interpretive quality, but also to the content of the dramaturgy itself and the careful selection of the presented works and their discovery and value not only in the context of generally reflected themes and anniversaries. The dramaturgy of the festival is also developed taking into account foreign trends, which are an inspiration in the selection of performers and works, but also in the more general organizational level. Lípa Musica also pays great attention to young artists and creates platforms for their collaboration with already renowned performers, and at the same time, in support of cultural dialogue, seeks to include proj

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Music and theater festival taking part at psychiatric hospital, focused mainly on Czech artists

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In the 30 years of its existence, the festival has become one of the three largest classical festivals in the Czech Republic, offering 550 concerts and performances, during which more than 13,000 artists from 40 countries performed.

This summer show offers 4 weeks of music from the 15th to the 21st century with international classical / crossover stars in unique places in the city with a real genius loci.

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The Kutná Hora International Music Festival is one of the most important chamber music festivals in the Czech Republic. The creator of the dramaturgy and the selection of artists is the artistic director - cellist Jiří Bárta.

Unfortunately, even this year 2021 is associated with covid uncertainty. Last year we managed to hold the festival, albeit on a shifted date, with drapes and all hygienic measures. We all hope and believe in the improvement of the situation, and that is why we are preparing another, already the 14th year of the Kutná Hora festival.

MFKH has become an inseparable part of cultural events in the city with high attendance from all over the Czech Republic and abroad. Since we could not invite foreign artists last year, we decided to move the performance of all of Beethoven's 32 piano sonatas in Konstantin Lifschitz's masterful interpretation to this year. This very significant work of art will be divided into 8 evenings. This increases the total number of chamber music concerts to 16 concerts. We believe that not only for Kutná Hora, this festival will be something truly exceptional this year. In addition to this important project, compositions of classical chamber literature by world-famous authors (Haydn, Mozart, Vivaldi, etc.) will be heard, as well as contemporary and rarely mentioned authors (Tartini, Barber, Kabeláč, Klusák, Górecki, etc.).

Jiří Bárta traditionally connects chamber music concerts and complements them with projects at the crossroads of genres. He included Bach's cantata Ich habe genug (I already have enough of everything) in the program of the 14th Kutná Hora festival for solo bass, oboe and strings connected with an epic poem by Arnošt Lustig performed by Vilma Cibulková, Jiří Lábus and Vilém Udatný entitled "Cantata - Dance of the Mad". The theme of the musical-lyrical band is death as liberation from a world permeated with misery and despair and is an indictment of the most horrific crime in human history.

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