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Cool V Plote is a multi-genre music festival that provides space to stand-up musicians & artists from all over the world. The festival presents and demonstrates the beautiful uniqueness and power of the creative individual and the self-sufficiency of the soloist. A predominantly musical program oscillating between many genres such as jazz, contemporary folk, soul, electronic, experimental music, world music and more & more is complemented by author's reading or music workshops.

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In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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Hudební léto Kuks je mezinárodní festival klasické hudby konaný v kostele Nejsvětější Trojice v Kuksu.
V minulých letech zde již účinkovali:
houslisté Ivan Ženatý, Václav Hudeček, Josef Špaček, Gabriela Demeterová, basbarytonisté Adam Plachetka, Markus Flaig (Německo), Ivan Kusnjer, kontratenorista David Erler (Německo), sopranistky Martina Janková, Michiyo Keiko (Japonsko), Natalia Rubiś (Polsko), Jana Jonášová, Kateřina Kněžíková, mezzosopranistka Dagmar Pecková, tenorista Virgil Hartinger (Rakousko), violoncellista Jiří Bárta, hornista Radek Baborák, trumpetisté Otto Sauter (Německo), Miroslav Kejmar, harfistka Jana Boušková, varhaníci Jaroslav Tůma, Aleš Bárta a Wacław Golonka (Polsko), cembalisté Vojtěch Spurný, Barbara Maria Willi, hobojista Vilém Veverka, klarinetisté Claudio Mansutti (Itálie) a Ludmila Peterková, kytaristé Marco Socías (Španělsko), Carlo Domeniconi (Itálie) a Pavel Steidl;
orchestry a soubory: Filharmonie Hradec Králové, Severočeská filharmonie Teplice, Komorní filharmonie Pardubice, Collegium 1704, Ensemble Inégal, Musica Florea, Collegium Marianum, Bennewitz Quartet, Wihanovo kvarteto, Schola Gregoriana Pragensis, Český filharmonický sbor Brno, Martinů Voices, Český chlapecký sbor Boni pueri;
dirigenti a umělečtí vedoucí: Vojtěch Spurný, Marek Šedivý, Marek Štryncl, Václav Luks, Adam Viktora, David Eben, Petr Fiala, Jana Semerádová a další.

V rámci festivalu jsou rovněž uváděny skladby v novodobých premiérách. Jde především o kompozice z kukského archivu (Wernera Hymbra, Josepha Faltise, Maxima Jantschara, Wernera Zicha a Stephana Sailera), který založili v polovině 18. století členové řádu milosrdných bratří. Provedeny byly i novodobé premiéry z jiných pramenů, šlo např. o díla Václava Vodičky nebo Jakuba Jana Ryby.
Kuks Music Summer is an international festival of classical music held in the Church of the Holy Trinity in Kuks.
In recent years, the following have performed here:
violinists Ivan Ženatý, Václav Hudeček, Josef Špaček, Gabriela Demeterová, bass baritone Adam Plachetka, Markus Flaig (Germany), Ivan Kusnjer, countertenor David Erler (Germany), sopranos Martina Janková, Michiyo Keiko (Japan), Natalia Rubiś (Poland), Jana Jonášová, Kateřina Kněžíková, mezzo-soprano Dagmar Pecková, tenor Virgil Hartinger (Austria), cellist Jiří Bárta, horn player Radek Baborák, trumpet players Otto Sauter (Germany), Miroslav Kejmar, harpist Jana Boušková, organists Jaroslav Tůma, Aleš Bárta and Wacław Golon , harpsichordists Vojtěch Spurný, Barbara Maria Willi, oboist Vilém Veverka, clarinetists Claudio Mansutti (Italy) and Ludmila Peterková, guitarists Marco Socías (Spain), Carlo Domeniconi (Italy) and Pavel Steidl;
orchestras and ensembles: Hradec Králové Philharmonic, North Bohemian Philharmonic Teplice, Pardubice Chamber Philharmonic, Collegium 1704, Ensemble Inégal, Musica Florea, Collegium Marianum, Bennewitz Quartet, Wihan Quartet, Schola Gregoriana Pragensis, Czech Philharmonic Choir Brno, Martinů Voicesi Czech Guy leather;
conductors and artistic leaders: Vojtěch Spurný, Marek Šedivý, Marek Štryncl, Václav Luks, Adam Viktora, David Eben, Petr Fiala, Jana Semerádová and others.

The festival also presents compositions in modern premieres. These are mainly compositions from the Kuk archives (Werner Hymbre, Joseph Faltis, Maxim Jantschar, Werner Stier and Stephan Sailer), which were founded in the middle of the 18th century by members of the Order of Merciful Brothers. Modern premieres from other sources were also performed, such as the works of Václav Vodička or Jakub Jan Ryba.

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Jazz bez hranic is an international jazz festival taking part in Pilsen, hosting Czech and foreign jazz musicians.

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International jazz festival taking place every May in Černošice near Prague.

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The prestigious international festival Jazz Goes to Town brings to the classical music concert halls and untraditional stages of Hradec Králové jazz in all its forms.

The dramaturgy of the festival features top local and foreign musicians, new jazz projects and beginning players. The 24nd edition wants to continue the high standards of this musical event and mediate the wide spectrum of jazz art to the city residents and visitors from outside. The diversity of jazz styles, the fusion with other artistic genres, and themed accompanying programmes are what make the autumn atmosphere in Hradec Králové so singular and enticing.

The festival programme is presented at various venues across the Hradec Králové city centre. In addition to concert halls, theatres and music clubs the performers will also appear in bars and cafés as well as in untraditional industrial or sacral venues.

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