Atmospheric folk death, black, black death, blackened pagan, black punk, dark, death, death doom, death thrash, doom, electronic industrial, thrash,... styles nicely alphabetized. The common denominator is extreme metal, which we will serve in these forms at ETEF 2020.
ETEF is a living community, no blind shots. We have almost zero record of changes in festival lineup. What you see on the poster is what you see and hear onstage in the summer. We don't hunt "extra-league" headliners. These belong to Brutals, Wackens and similar "Hellfests." However, an exciting lineup of bands that can perform qualitatively in even the toughest competition is already guaranteed…
Extreme music festival from Prague, CZ celebrating underground genres like hardcore/punk, grindcore, crust, powerviolence, sludge, doom, death metal and others. Just 2 days of loud music, 2 stages, vegan food, distros and good vibes in general. Brought to you by a DIY spirit of Kreas Promotion, D-Beat Mafie, La Fiesta Del Ruido and River Promotions.
The Karel Ditters International Music Festival from Dittersdorf is a festival that has been held every year since 1993, mainly in the town of Javorník, partly in the town of Jeseník and its surroundings. During this time, it has become an integral part of the cultural autumn of the entire Jesenice region. It is also one of the most significant and significant projects implemented within the Olomouc Region, and its existence thus clearly proves that lively cultural activity does not escape even its northernmost region. Its annual implementation is provided by the Karel Ditters Association of Dittersdorf.
And so every autumn is traditionally carried in the spirit of Baroque sophistication, with which Karel Ditters is undoubtedly closely connected and whose work the entire festival is actually primarily dedicated to. The central idea of the whole festival is an effort to present classical music at the highest professional level to all residents of our border region, as well as to professional audiences. However, Ditters' name is not just a kind of "moral-musical regional authority" in the name of the festival, on the contrary, every year of the festival the compositions of this author appear in the repertoire of many musical ensembles, which is also one of the festival's conditions. Another is the effort to open the festival stage to young and beginning performers, often the winners of the Prague Spring or other competitions. Last but not least, it is also an effort to invite, as, after all, in the name of the festival, musicians from abroad, or at least musical ensembles with the representation of foreign performers, to the festival days.
An international multi-genre festival held in Ostrava City, Czech Republic. It has a seven year’s history with an audience more than 40 thousand peopleThere is a rich programme containing dozens of artists not only from the Czech Republic but from the whole world – jamming musicians, street theatre, drum parades, kid’s programme, science shows and many other different acts or performances can be found there.
– free entrance
In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).
