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Music festival for students presenting Czech interprets.

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The International Music Festival Concentus Moraviae is a unique curatorial concept of program preparation. It is primarily focused on classical music with an overlap with other genres and with a strong accent on early music, to which is the biennial dedicated. Every year the organizers address a new dramaturge with a strong program vision, so the festival always focuses on a new topic and is highly appreciated for its contribution to the field. The theme of each year reflects important musical anniversaries as well as current music and social trends. Not only significant personalities of Czech musical life (Barbara Maria Willi, Jiří Beneš, Aleš Březina, Václav Luks, Zdeněk Cupák, etc.), but also foreign musicologists (Jelle Dierickx, Walter Labhart, Tully Potter, Andrea Marcon, Markku Luolajan-Mikkola, Pierre Pitzl, Carine Moretton, etc.).

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The International Music Festival Dobršská Brána will again offer a refreshing insight into the world of contemporary music without dramaturgical compromises and a formal genre classification of performers. In their work they present, they freely switch between genres and combine elements of folk music with jazz and chamber music. This corresponds to the specific dramaturgy of the festival and its motto “The Gate to the World of Music”.

The festival continues and fits into the global trend of seraching for new connections between traditional, classical and contemporary music and thus creates a unique musical event that would hardly find a comparison on the Czech music scene. At the same time, the festival gives a new impulse for meeting of world musicians and the Czech audience on the spot for many visitors unusual, yet with a long musical tradition, outside the Czech metropolis. The success of the past year is supported by musical responses from the audience and critics’ reviews by proving that the focus of the festival has been a step in the right direction. During the two-day period, the second year presented performers from Norway, Sweden, the Netherlands, Japan, USA, Germany, Austria, Poland and the Czech Republic. So the event took place with a truly European overlap.

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The Antonín Dvořák Music Festival boasts a long tradition, during which its organizers managed to establish it among high-level cultural events and, in the venues, of paramount importance. It was established in 1969 on the initiative of the Antonín Dvořák Society (then chaired by Dr. Karel Mikys) and the District Cultural Center in Příbram, to which the Ministry of Culture promised financial support at the time. And the support was by no means small, because at that time it made it possible to invite such orchestras as the Czech Philharmonic, the FOK Symphony Orchestra of the Capital City of Prague, the PKO, the Slovak Philharmonic or the Film Symphony Orchestra. During these years, however, the festival also included a number of excellent ensembles from abroad. The people of Příbram were also able to witness top performances such as the Leningrad Philharmonic and the Moscow State Philharmonic, and last but not least, the Warsaw State Philharmonic or the Royal Philharmonic Orchestra London with conductors Mark Emler, Charles Groves, Arvid Jansons and Dimitri Kitajen. After 1989, however, similarly as in the whole cultural sphere, significant organizational changes took place here. Since 1990, the organization Příbram Theater has taken over its organization, where (perhaps) due to the lack of financial resources, the festival stuck to three to five concerts, mostly only chamber music.

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The Petr Dvorský Music Festival focuses mainly on the human voice. In many genres, from classics of all periods to pop, jazz and folklore, top Czech and foreign artists present themselves at it. In addition to its patron Petr Dvorský, the festival hosted, for example, Jelena Obrazcová, Kiri Te Kanawa, Montserrat Caballé, Karel Gott, Lucia Bílá, Mira Žbirka and Ewa Farná.

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The Znojmo Music Festival brings its audience a wide range of musical styles and types, connects the seemingly incompatible and breaks down the boundaries between genres. However, the unifying element and goal of the entire festival is to achieve the maximum possible quality and authenticity in all concerts and productions. The axis of the festival is the staging and performance of opera or ballet works in several reruns. Each year is characterized by a tight dramaturgy. All concerts and other accompanying events are held in a unified spirit.

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The Janáček Brno festival ranks among the most important events in the European cultural calendar. It is devoted to the artistic legacy of one the greatest Czech composers, Leoš Janáček, and comprehensively presents his life’s work in an international context.

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Let It Roll stepped into the scene in the year of 2003 as a small club event. Fast forward to the present and you have the world's largest drum & bass festival.

Let It Roll stepped into the Czech music scene in the year of 2003 as a series of club events. Through the clubs it grew into larger winter happenings in factory spaces and quickly became one of the most favorite and visited events in Czech Republic. In 2008 the promoters decided to organize the first summer open air festival. More than 3000 visitors arrived to the first edition of Let It Roll Open Air in the Oplatil sand quarry close to the city of Pardubice. Everyone was thrilled by the amazing atmosphere that the festival offered. The next year visitor turnout doubled to more than 6000.


Let It Roll festival was just different from the very beginning. The unique original stage design, that changes every year, underlies the festival atmosphere and the whole-around experience to the maximum. After a few years - in 2010 - "Let It Roll" started to be heard about abroad and gained very noticable amount of international visitors and feedback as well. The phenomen started to spread and in 2011 and 2012 the 10 000 visitor bar was broken.

It was clear that things were getting serious when in 2013 and 2014 the bar was raised to more than 15 000 visitors daily from all around the globe and when the festival was awarded 'BEST FESTIVAL' by the prestigious Drum&BassArena Awards, 'BEST OVERSEAS PROMOTER / EVENT' by The National Drum & Bass Awards as well as continually winning the Czech Drum & Bass awards from their very beginning till the present.

Big changes came in 2015. The festival moved from its venue in Benešov to its new home in the former Russian air base Milovice. Everything had to be built from scratch but the festival's site options became nearly limitless. The amount of visitors hit more than 20 000 followed by the festival winning the "BEST FESTIVAL" award in Drum&BassArena Awards once again.

Let It Roll's status as the world’s biggest Drum & Bass festival is strengthened year upon year, with 2017 seeing its highest ever attendance with over 25,000 D&B heads. Awarded by the prestigious Drum&BassArena Awards as "Best Festival" again among with other awards from past years, National D&B Awards "Best Promoter" and years of winning local - Czech awards. In 2017, the festival also celebrated its 10th anniversary of an open air and things are moving forward. Let It Roll becomes bigger than ever with the new decade. 9 stages and more than 300 of drum & bass artists will be crammed into 3 days and nights of super charged raving, all set off by the most impressive stage designs, light displays and firework shows available.

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