Art / Music / Theatre
Subjects: 35
Bojiště
Trutnov
541 01
Česká 195/20
České Budějovice
37001
Svépomoc 182
Polička
572 01
Colours of Ostrava is an international, multi-genre music festival organised annually in Ostrava since 2002. In 2012, the festival was moved to the entrancing surroundings of Dolní Vítkovice – an area that used to belong to metallurgical works, mines and ironworks. We are a free and independent festival for free and independent artists and festivalgoers. We don’t subscribe to any genre and are only open to showcasing sensitive, dynamic as well as uplifting projects with a similar philosophy to our own.
Frýdlantská 3207
Ostrava
70200
Czech Music Crossroads is an international conference and a showcase festival. An international platform attended by the Czech Republic, Hungary, Poland, Slovakia and a guest country. Carefully selected bands focusing on local roots, acoustic music, folk, fusion and jazz perform for international audience of invited professionals, promoters and journalists. Two best groups will be awarded The Czech Music Crossroads Award.
The showcase selection is not restricted to new talent, but aimed in general at artists who can easily cross the language barrier, regardless of the length of professional experience. The bands are selected by experts of each corresponding country.
Exporting music is the focal point of the conference, which also includes discussions about present-day musical or social topics. Experts from around the world will train musicians and showcase performers from the participating countries at interactive workshops on how to win recognition in the international competition; they will also provide practical advice for their musical careers. International producers, music reviewers and experts in music distribution will act as lecturers – those with long-term experience in distributing Czech recordings on the international market. Speed dating is another activity typical for international events. International experts and/or festival organisers can be consulted by registered local artists or managers at one-to-one meetings to receive advice on strategy and artistic growth.
Ostrava
The International Music Festival Dobršská Brána will again offer a refreshing insight into the world of contemporary music without dramaturgical compromises and a formal genre classification of performers. In their work they present, they freely switch between genres and combine elements of folk music with jazz and chamber music. This corresponds to the specific dramaturgy of the festival and its motto “The Gate to the World of Music”.
The festival continues and fits into the global trend of seraching for new connections between traditional, classical and contemporary music and thus creates a unique musical event that would hardly find a comparison on the Czech music scene. At the same time, the festival gives a new impulse for meeting of world musicians and the Czech audience on the spot for many visitors unusual, yet with a long musical tradition, outside the Czech metropolis. The success of the past year is supported by musical responses from the audience and critics’ reviews by proving that the focus of the festival has been a step in the right direction. During the two-day period, the second year presented performers from Norway, Sweden, the Netherlands, Japan, USA, Germany, Austria, Poland and the Czech Republic. So the event took place with a truly European overlap.
In the next ten years, Haydn's music festivals intend to present the work of the main musical "nations" or regions within the individual festival years, which contributed to the formation of classicist musical language, which soon established itself as a universal musical language used worldwide. This dramaturgical principle will significantly enrich the existing principles (focus on compositional anniversaries, regional musical sources, great major works of the classicist era). The intention of the organizers is to dedicate 40-50% of the festival's concert performances to musical "nations".
Italy has a decisive position among these nations. Therefore, the 29th year of the festival (2021) will be dedicated to Italian and Italian-inspired music of the 17th and 18th centuries. Italian musical inspiration has dominated world music for more than three centuries, culminating in the period of classicism (16th - 19th centuries). It was the Italian composers at the turn of the 17th and 18th centuries who formulated a new way of compositional work, based on more intensive work with musical material. Thanks to this, new musical genres saw the light of day in the Italian environment, which then dominated the next centuries (concert, symphonies, etc.), some others then gained new developmental inspiration (sonata, opera, etc..).
zámek Nebílovy, čp. 1
Nezvěstice, Plzeň-jih
332 04
Hudební léto Kuks je mezinárodní festival klasické hudby konaný v kostele Nejsvětější Trojice v Kuksu.
V minulých letech zde již účinkovali:
houslisté Ivan Ženatý, Václav Hudeček, Josef Špaček, Gabriela Demeterová, basbarytonisté Adam Plachetka, Markus Flaig (Německo), Ivan Kusnjer, kontratenorista David Erler (Německo), sopranistky Martina Janková, Michiyo Keiko (Japonsko), Natalia Rubiś (Polsko), Jana Jonášová, Kateřina Kněžíková, mezzosopranistka Dagmar Pecková, tenorista Virgil Hartinger (Rakousko), violoncellista Jiří Bárta, hornista Radek Baborák, trumpetisté Otto Sauter (Německo), Miroslav Kejmar, harfistka Jana Boušková, varhaníci Jaroslav Tůma, Aleš Bárta a Wacław Golonka (Polsko), cembalisté Vojtěch Spurný, Barbara Maria Willi, hobojista Vilém Veverka, klarinetisté Claudio Mansutti (Itálie) a Ludmila Peterková, kytaristé Marco Socías (Španělsko), Carlo Domeniconi (Itálie) a Pavel Steidl;
orchestry a soubory: Filharmonie Hradec Králové, Severočeská filharmonie Teplice, Komorní filharmonie Pardubice, Collegium 1704, Ensemble Inégal, Musica Florea, Collegium Marianum, Bennewitz Quartet, Wihanovo kvarteto, Schola Gregoriana Pragensis, Český filharmonický sbor Brno, Martinů Voices, Český chlapecký sbor Boni pueri;
dirigenti a umělečtí vedoucí: Vojtěch Spurný, Marek Šedivý, Marek Štryncl, Václav Luks, Adam Viktora, David Eben, Petr Fiala, Jana Semerádová a další.
V rámci festivalu jsou rovněž uváděny skladby v novodobých premiérách. Jde především o kompozice z kukského archivu (Wernera Hymbra, Josepha Faltise, Maxima Jantschara, Wernera Zicha a Stephana Sailera), který založili v polovině 18. století členové řádu milosrdných bratří. Provedeny byly i novodobé premiéry z jiných pramenů, šlo např. o díla Václava Vodičky nebo Jakuba Jana Ryby.
Kuks Music Summer is an international festival of classical music held in the Church of the Holy Trinity in Kuks.
In recent years, the following have performed here:
violinists Ivan Ženatý, Václav Hudeček, Josef Špaček, Gabriela Demeterová, bass baritone Adam Plachetka, Markus Flaig (Germany), Ivan Kusnjer, countertenor David Erler (Germany), sopranos Martina Janková, Michiyo Keiko (Japan), Natalia Rubiś (Poland), Jana Jonášová, Kateřina Kněžíková, mezzo-soprano Dagmar Pecková, tenor Virgil Hartinger (Austria), cellist Jiří Bárta, horn player Radek Baborák, trumpet players Otto Sauter (Germany), Miroslav Kejmar, harpist Jana Boušková, organists Jaroslav Tůma, Aleš Bárta and Wacław Golon , harpsichordists Vojtěch Spurný, Barbara Maria Willi, oboist Vilém Veverka, clarinetists Claudio Mansutti (Italy) and Ludmila Peterková, guitarists Marco Socías (Spain), Carlo Domeniconi (Italy) and Pavel Steidl;
orchestras and ensembles: Hradec Králové Philharmonic, North Bohemian Philharmonic Teplice, Pardubice Chamber Philharmonic, Collegium 1704, Ensemble Inégal, Musica Florea, Collegium Marianum, Bennewitz Quartet, Wihan Quartet, Schola Gregoriana Pragensis, Czech Philharmonic Choir Brno, Martinů Voicesi Czech Guy leather;
conductors and artistic leaders: Vojtěch Spurný, Marek Šedivý, Marek Štryncl, Václav Luks, Adam Viktora, David Eben, Petr Fiala, Jana Semerádová and others.
The festival also presents compositions in modern premieres. These are mainly compositions from the Kuk archives (Werner Hymbre, Joseph Faltis, Maxim Jantschar, Werner Stier and Stephan Sailer), which were founded in the middle of the 18th century by members of the Order of Merciful Brothers. Modern premieres from other sources were also performed, such as the works of Václav Vodička or Jakub Jan Ryba.