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International jazz festival in Karlovy Vary

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Angličtina
Festival Klášterní hudební slavnosti je mezinárodní hudební festival s tradicí, který svou vysokou dramaturgickou a uměleckou úrovní zaujímá místo jednoho z nejvýznamnějších a nejzajímavějších hudebních festivalů současnosti, na Moravě se již tímto superlativem může v daném období pochlubit beze zbytku. Jak již z názvu vyplývá, koncertuje festival především v sakrálních skladbách nebo v prostředí, která jsou s církevními institucemi historicky nějakým způsobem spojena (kostely, bývalý nebo i současný majetek církví apod.), ale nevyhýbáme se i občasnému vybočení, ať už z důvodu kapacity, organizace nebo podmínek.

O věhlasu akce, ale také o zájmu posluchačů svědčí i fakt, že se návštěvnická úroveň rok co rok zvyšuje. Festival je nejenom pevnou součástí kulturního života Olomouckého kraje (kde se koná naprostá většina koncertů) s přesahem do krajů Moravskoslezského a Pardubického, ale stává se důležitým hybatelem festivalové turistiky. Za koncerty posluchači cestují z různých koutů a podporují tím také turistický průmysl. Návštěvníkům koncertů nabízí koncerty českých i zahraničních umělců mimořádné umělecké úrovně. Za dobu své existence navštívilo koncerty přes 33 tisíc posluchačů, kteří se mohou těšit na dramaturgicky pestrou a vyváženou skladbu koncertů, ať již formou komorních recitálů či koncertů komorních i větších těles nebo pěveckých sborů. Na festivalu se představují zásadní díla symfonické, operní, oratorní ale i komorní hudby.
The Klášterní hudební slavnosti festival is an international music festival with a tradition, which with its high dramaturgical and artistic level occupies the place of one of the most important and interesting music festivals of today, in Moravia it can already boast of this superlative in the given period. As the name implies, the festival performs mainly in sacred compositions or in environments that are historically connected with church institutions in some way (churches, former or current property of churches, etc.), but we do not avoid occasional deviations, either because of capacity , organization or conditions.

The fame of the event, but also the interest of the audience is evidenced by the fact that the visitor level is increasing year by year. The festival is not only an integral part of the cultural life of the Olomouc region (where the vast majority of concerts take place) with an overlap to the Moravian-Silesian and Pardubice regions, but it is also becoming an important driver of festival tourism. During the concerts, the listeners travel from different corners and thus also support the tourism industry. It offers concertgoers concerts of Czech and foreign artists of extraordinary artistic level. During its existence, over 33,000 listeners have attended concerts, who can look forward to a dramaturgically varied and balanced composition of concerts, whether in the form of chamber recitals or concerts of chamber and larger ensembles or choirs. The festival presents major works of symphonic, opera, oratorio and chamber music.

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Let It Roll stepped into the scene in the year of 2003 as a small club event. Fast forward to the present and you have the world's largest drum & bass festival.

Let It Roll stepped into the Czech music scene in the year of 2003 as a series of club events. Through the clubs it grew into larger winter happenings in factory spaces and quickly became one of the most favorite and visited events in Czech Republic. In 2008 the promoters decided to organize the first summer open air festival. More than 3000 visitors arrived to the first edition of Let It Roll Open Air in the Oplatil sand quarry close to the city of Pardubice. Everyone was thrilled by the amazing atmosphere that the festival offered. The next year visitor turnout doubled to more than 6000.


Let It Roll festival was just different from the very beginning. The unique original stage design, that changes every year, underlies the festival atmosphere and the whole-around experience to the maximum. After a few years - in 2010 - "Let It Roll" started to be heard about abroad and gained very noticable amount of international visitors and feedback as well. The phenomen started to spread and in 2011 and 2012 the 10 000 visitor bar was broken.

It was clear that things were getting serious when in 2013 and 2014 the bar was raised to more than 15 000 visitors daily from all around the globe and when the festival was awarded 'BEST FESTIVAL' by the prestigious Drum&BassArena Awards, 'BEST OVERSEAS PROMOTER / EVENT' by The National Drum & Bass Awards as well as continually winning the Czech Drum & Bass awards from their very beginning till the present.

Big changes came in 2015. The festival moved from its venue in Benešov to its new home in the former Russian air base Milovice. Everything had to be built from scratch but the festival's site options became nearly limitless. The amount of visitors hit more than 20 000 followed by the festival winning the "BEST FESTIVAL" award in Drum&BassArena Awards once again.

Let It Roll's status as the world’s biggest Drum & Bass festival is strengthened year upon year, with 2017 seeing its highest ever attendance with over 25,000 D&B heads. Awarded by the prestigious Drum&BassArena Awards as "Best Festival" again among with other awards from past years, National D&B Awards "Best Promoter" and years of winning local - Czech awards. In 2017, the festival also celebrated its 10th anniversary of an open air and things are moving forward. Let It Roll becomes bigger than ever with the new decade. 9 stages and more than 300 of drum & bass artists will be crammed into 3 days and nights of super charged raving, all set off by the most impressive stage designs, light displays and firework shows available.

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Letiště is a small festival taking part in Morava.

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The Kutná Hora International Music Festival is one of the most important chamber music festivals in the Czech Republic. The creator of the dramaturgy and the selection of artists is the artistic director - cellist Jiří Bárta.

Unfortunately, even this year 2021 is associated with covid uncertainty. Last year we managed to hold the festival, albeit on a shifted date, with drapes and all hygienic measures. We all hope and believe in the improvement of the situation, and that is why we are preparing another, already the 14th year of the Kutná Hora festival.

MFKH has become an inseparable part of cultural events in the city with high attendance from all over the Czech Republic and abroad. Since we could not invite foreign artists last year, we decided to move the performance of all of Beethoven's 32 piano sonatas in Konstantin Lifschitz's masterful interpretation to this year. This very significant work of art will be divided into 8 evenings. This increases the total number of chamber music concerts to 16 concerts. We believe that not only for Kutná Hora, this festival will be something truly exceptional this year. In addition to this important project, compositions of classical chamber literature by world-famous authors (Haydn, Mozart, Vivaldi, etc.) will be heard, as well as contemporary and rarely mentioned authors (Tartini, Barber, Kabeláč, Klusák, Górecki, etc.).

Jiří Bárta traditionally connects chamber music concerts and complements them with projects at the crossroads of genres. He included Bach's cantata Ich habe genug (I already have enough of everything) in the program of the 14th Kutná Hora festival for solo bass, oboe and strings connected with an epic poem by Arnošt Lustig performed by Vilma Cibulková, Jiří Lábus and Vilém Udatný entitled "Cantata - Dance of the Mad". The theme of the musical-lyrical band is death as liberation from a world permeated with misery and despair and is an indictment of the most horrific crime in human history.

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The Olomouc International Organ Festival was established in 1969 and takes place every year in September in the Church of St. Mořice.
The founder of the festival was prof. Antonín Schindler (1925 - 2010), who worked as an organist in the church of St. Mořice. Here he had at his disposal a unique instrument by Michael Engler from 1745, which was, however, considerably dilapidated. On the initiative of prof. Schindler's organ was generally repaired and expanded, and it was this reconstruction that prompted the establishment of an organ festival with an international level.
The Olomouc International Organ Festival has become a household name in the organ world, and its quality and level are evidenced by a number of the world's top organists who have performed at the festival. The festival is organized by the Moravian Philharmonic Olomouc.

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Festival of new and experimental music

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The Autumn Festival of Sacred Music was founded in 1994 and over the twenty-six years of its existence has become a major cultural event in Olomouc. Under the auspices of the archbishop of Olomouc and Moravian metropolitan Msgre Jan Graubner the Festival is organised by MUSICA VIVA in co-operation with the City of Olomouc, the Regional Authority of the Olomouc Region and the Czech Ministry of Culture. The prominent Czech conductor Stanislav Macura was the Festival’s co-founder and over a period of fifteen years served as its artistic director and conductor significantly influencing the Festival’s unique character. The dramaturgy draws upon the immensely rich heritage of brilliant composers of all nations without ignoring contemporary modern sacred music and observes ecumenical principles. The Festival has been recognised for the outstanding artistic quality of guest soloists and internationally renowned quality of vocal and instrumental ensembles. Radio recordings were made from the Festival concerts by Czech Radio, Radio Niederoesterreich (ORF), Slovak Radio and Polish Radio; concerts were broadcasted across Europe via international radio network of EBU. Twenty-five concerts were recorded and broadcasted in co-operation with Czech Television and TV Noe.

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Povaleč was created in 2006 by a joint initiative of a bunch of friends. Until today, the organization team consists of friends, most of whom know each other for years.

Our aim is to entertain people, to revive the lovely town of Valeč, to create an event with a unique atmosphere, where everyone can find something that he enjoys and doesn’t have to pay overpriced entrance fee just to see a couple of well-worn bands. Povaleč is not about mainstream popular culture or money, it is about bringing people together and creating something different.

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